Max von Sydow Quotes
Quotes to Explore
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Dining rooms are really all about the table and the chairs.
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Red Dust was about the late 1980s; it was a time of burgeoning hopes and opening up and people searching for new ways.
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There thus appears to be an inverse correlation between recovery and psychotherapy; the more psychotherapy, the smaller the recovery rate.
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I am Parisian. I don't love the French.
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Self-respect: the secure feeling that no one, as yet, is suspicious.
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I believe it's a woman's right to decide what she wants to wear and if a woman can go to the beach and wear nothing, then why can't she also wear everything?
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The best jokes resonate because they uncover ridiculousness in our daily lives, reveal the silliness - and sometimes sadness - of things we see every day.
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It must inquire not merely about the circumstances of the time in general, but in particular about the writer's position with regard to these things, the interests and motives, the leading ideas of his literary activity.
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Everyone has to find their own way, it's just that I don't want to go that way myself. If a band likes being on a major and feels happy there, good luck to them.
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There are people in the world so hungry, that God cannot appear to them except in the form of bread.
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Well you can be the son of a Marxist and not necessarily be a Marxist in all your views.
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My goal is to bridge the gap between social media and traditional media.
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I don't really mind not being a part of a film - because if there is no part for me, I will never force myself upon a film. I feel like it's just a distraction. If it is not organically incorporated into the story, it just feels like a stupid appearance, like a sort of wink. I hate that.
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'Twilight' is a breathlessly addictive read with a love story that sucks people in.
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I enjoy listening to contemporary rock on the college stations while I'm taking long walks, love gospel and soul music, am fascinated by hip-hop and rap as the new kind of urban 'beat' poetry and, come to think of it, find something interesting about just any kind of music.
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I visualize things in my mind before I have to do them. It's like having a mental workshop.
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'For Unlawful Carnal Knowledge' took a year to record; that's why the playing on it might sound somewhat labored. 'Balance,' on the other hand, was written and recorded in only four months, so the whole process was quicker and more immediate.
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You must be the change you wish to see in the world.
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I wanted to write about how people's beliefs shift.
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By the second half of the second century, apologies had become a popular form of Christian writing.
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I live in New York, so I'm used to the audiences that cheer and clap through a play. It is unusual for London audiences.
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I finished 'Heartsick' with my daughter asleep in her bassinet by my desk, a feat that any new mother will tell you cannot be sufficiently praised.
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One of the particular things that impressed me was one visitor [of NAACP] - I think it was - it wasn't the Prime Minister of England. We were located then on 14th Street and Fifth Avenue, up several flights of rickety stairs, and he came all the way up those stairs to see Walter [White], largely because of certain kinds of impact, I think, that the Association seemingly was having.
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Unfortunately, not all stories end positively.
