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When I know what the character I'm supposed to play wants in general terms, and when I know what did the other characters want to do, that's when all these wills collide and the emotions show up.
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Bergman has a very special eye for people. His background taught him to listen and to feel.
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I think the film you hear about the most is 'The Exorcist.' When people come up to me and say, 'Oh, you scared me!' I was the good guy in that film!
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Perhaps I scare people. I don't know why.
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What is important, I think, is to reach as many people as you can and do it as well as you can. Reach them and inspire them or amuse them, or maybe in some odd moments help them to discover something they hadn't thought of before.
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All my life I've been looking for diversity.
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I began imagining scenes in public which some drunk would come up to me and slap me in the face. Nothing like that ever happened, but I often wonder if I would have turned the other cheek.
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Mr. Bergman had a great imagination and saw the possibilities within every one of his actors, and he gave us great challenges. It was very inspiring.
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When I was brought up in Sweden, there was a great opportunity for young people to learn how to act in our municipal theaters with their small companies. You would be under contract for eight months and have the summer free to take other opportunities.
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My parents were brought up in families which believed theatre people weren't to be trusted. But they were nice people.
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It often disturbs me, when I see a film set in a historical time, that the people are too modern.
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Only very rarely are foreigners or first-generation immigrants allowed to be nice people in American films. Those with an accent are bad guys.
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The Devil, of course, must have been or must be a very charming person.
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I don't have a philosophy for choosing roles. Sometimes, it's just, 'This might be interesting; that might be fun to do.' There might be interesting actors or directors in the project, even if the part is not important. And then sometimes, you need the money.
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Producers are not gamblers. They want a good return on their investment.
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I'm getting too old to play some parts, but I'm still greedy.
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Sometimes you become friends with the characters you portray.
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We should look back now and then. Our politicians should look back every now and then.
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I think it's good that we're sometimes reminded of important events in history.
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I remember those days with Bergman with great nostalgia. We were aware that the films were going to be quite important, and the work felt meaningful.
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When I finished the role of Christ, I felt as though I'd been let out on parole. A man who has served 18 months isn't eager to go back to prison.
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Ingmar Bergman had a great sense of humor, and he had a very special, characteristic laugh that you always recognized - if he went to watch a theater show, 'Ah! He is here tonight.'
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Sometimes you remember more about the location where you shot the film than the film itself.
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France is, for me, the country of happiness.