FKA twigs Quotes
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When I first put out music, people didn't know what I looked like. They called it a new type of something; they couldn't put a genre on it - it was where indie and urban kind of meet in the middle. I thought that was quite exciting.
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Half of my life, I've had people staring at me because they think I'm funny-looking and ugly. The other half of my life, I've had people staring at me because they think I'm fascinating. Everything neutralises. It's more of a statement on society and how weird it is.
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I'm an artist, and I'm a bit weird, and I'm probably a bit eccentric.
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It's weird: for someone who mostly really exists online, I'm actually not very interested in the Internet at all.
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Sometimes I feel 15; other times, I feel fully grown and mature and handling all my business. It can waver from day to day, hour to hour.
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I'm appealing to people who want something different, but the world, on the whole, doesn't really embrace different things. Not on the whole.
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I really enjoy the fun of putting something out and people liking it or hating it or talking about it, but vacuous attention, it feels disgusting. It's like a hangover.
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What makes me happy is having a really nice day out with my mum, or getting better at something I've been working hard at.
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I think we live in a culture where it is really difficult to get privacy because everything is so accessible. It's very difficult to maintain your comfortable life with a sort of mystique.
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I'm not going to become a costume version or caricature of myself; I like to morph.
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I feel confident that the work I've put in will make people see me as a music artist before anything else.
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I'm in so many videos. There was a period of about two years where I danced for everyone: Kylie Minogue, Ed Sheeran, Jessie J, Taio Cruz. It got to the point where my fees were double the other girls', and I wouldn't even have to audition. They'd call my agent directly and say, 'We want twigs to come in.'
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A few years ago, I found out that there's a lot of Gypsy blood on my mother's side. I'm wild in that way - I've been brought up to do my own thing.
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I was never the pretty girl at school. I'm tiny and mixed-race. I grew up in a white area. I was always the loner.
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Obviously I know if you're putting yourself out there, saying, 'Hey! Listen to my music!,' with pictures of yourself in the magazines, then people are going to judge you. 'I hate her music. I hate her hair. I hate her production. I hate her videos.' Fine: don't care. That's the great thing about art: it's not for everyone.
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I spent my whole teenage life trying to get to London and go to dance school, but when I got there, I couldn't wait to get to the clubs on weekends. I knew I wanted to make music.
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Textures apply to everything I do. Even within my music, I like smooth things, and then hard and fluffy things, all giving them their place to shine.
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You have to recognize at some point that even though you have the passion and creative level to be able to do something, you might have to do a lot of prep. Sometimes you just can't do it as quickly as you want to do it.
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I love things that are harsh and things that are too loud. And I love lulling people into a false sense of security. That's life.
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Twigs has been my nickname for years, and I guess a lot of people close to me called me Twigs, like, as a nickname. Before I even did dancing properly or anything, like, substantially creative, I was still Twigs.
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Being a gal, people can be a bit patronizing. 'Oh, look at you using the computer.' They would never say that to a boy. And I don't let them do it to me.
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I love my music, so I want to produce, write, and serve my music. I've had to learn about EQ frequencies and programming and space and clutter and how to be a better piano or bass player - everything.
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I've never been into the typical R&B voice, with runs and bluesy sounding words. That doesn't suit me.
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I'm a strange person - I don't really get rewards out of how many hits I have on YouTube. I love it, and I'm grateful, and it's important to me. But does it equal peace within me? No, it doesn't.