Joe Gebbia Quotes
Quotes to Explore
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I think 4 percent growth is a good goal. And I think the fact that we have become used to an economy that sort of putt putts along between 1 and 2 percent is sort of tragic.
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As I moved to less and less diverse places in my life, I realized that white people don't talk about race amongst themselves!
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I believe journalism or news will migrate to the online medium.
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I had a moment where I was like, 'I'm so tired of waiting for other people to accept me.'
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There's this really good line in 'Women in Love' where Ursula says, 'I always thought it was a sin to be unhappy.' And actually I think that's very common, it's what a lot of people feel - that you have an obligation to life to be happy if you can.
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Every child should at least grow up in family rather than without one.
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I am not a great theologian. I know there is a theological concept called invincible ignorance in which a strong enough faith binds you to any facts to the contrary.
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I have lots of passions - gardens, art, music and reading. I have eclectic taste and read a huge variety of books.
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Opera was the cinema of its time, so to bring back that popular appeal, you just need to unleash its visceral immediacy and excitement. Most productions don't manage that - but when an opera does do it, you never forget it.
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I was, by the way - I'm an Essex lad, born and raised in Essex in the U.K.
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To play four hands requires two people who have great affinity for each other.
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The striking thing about the Precious Blood is the bond it establishes between love and suffering in our experience, a bond that has become so close that we have come to think of suffering accepted with joy as the most authentic sign of love with any depth at all.
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When you're mid-season, in very intense situations, it's hard not to take that home with you. Especially when you're sleeping, you can't control what you dream about. And it sneaks into the unconscious.
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One Hundred Year Starship really is about the idea that is we pursue an extraordinary tomorrow; we'll build a better world today.
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I came from a dance background, so that's what I did my whole teenage years. I was at the dance studio a lot. It just becomes your social scene and part of your life.
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The finest lesson I've learned with age is that all I need is a small team of comrades who inspire me, try not to judge me, and remind me when I'm judging myself.
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I just mean it's very difficult for me to watch my work, in some ways, because I am critical of what I didn't get across or I thought I was making one point.
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One thing I longed to do was to design a complete look, from head to toe, so I started a make-up line in 1966.
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I majored in illustration at the Rhode Island School of Design, although I never had any intention of being an illustrator and didn't take any classes in illustration there. It was just that the illustration degree had no requirements.
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I attended Art & Design High School, and at one point, you had to write about what you wanted to be when you grew up. I wrote that I wanted to be a writer for 'Mad' magazine.
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There are a lot of people in Congress who would never have made a great career or fortune in any other profession. But after they spend a while hanging out with the rich guys, they begin to feel they've been undervalued, and that an eventual seven-figure income as a lobbyist isn't just an opportunity, it's their due.
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I love to set up my teammates. I am not here to be a star, to show off. I am here to play for the others, but if I have to try and clinch a game, then I will.
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Design is an expression of one's most deeply rooted internal values.
