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It's technically demanding to shoot in 3-D. It's an extra element. Also, just the size of the cameras. They look like these 'Transformers' monsters; they are incredibly big, many of them.
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It's hard to act with just your jaw.
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I think I'm a boxer, but then when I get hurt, I'll start scrapping.
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An amateur can be great in front of the camera, but you need an education to get on stage where you have full control as an actor.
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In most scripts, one or two characters have a lot of colors.
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I've learned to steer away from the wrong kind of woman for me.
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Jose Padilha is a wonderful director.
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We retell our favorite stories. That's what we've done since we were sitting around campfires. It's a part of the human spirit. It doesn't have to be negative to creativity. It can be completely opposite. That's how you can break new ground: by rethinking something that's already been done.
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Sometimes if you start a relationship when you're young, you're not as fully developed as a person. You need a relationship that lets you develop in different ways. You need to bounce off different people.
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I was a Swedish guy who listened to Too Short.
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I look at characters to see if they have some contrasts to play with; I think that's always what I'm looking for in characters: ones that have a wide range of expression.
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I'm a pretty good chess player.
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The north of Sweden is very socialist and poor. They feel left out and despise Stockholm in many ways because Stockholm has become new liberals and much more Americanized.
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I went to high school in Texas for one year, my senior year. My parents wanted me to get out of Stockholm because I was running with the wrong crew. They wanted me to get back to my roots.
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We don't know why we are here and the context of our role in the universe, and the thought of an infinite universe. It's something the human mind can't really grasp. It's statistically impossible that there's not life on other planets.
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I'm not a method actor per se, but if I'm playing a character that, at its core of its persona, has experiences I don't have, I try to search out and get firsthand experiences of similar sorts so I have something to fantasize about.
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I'm a physical actor in that I start with a physical sketch of the character. I find it easier to find inspiration from the outside in. If I find the character's tensions and the way he carries himself or looks, that's going to affect how I talk. So that's how I start to create that person.
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I don't think there have been many alien movies where the actors have actually seen the aliens.
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What we did wrong on 'RoboCop,' we just did something new and didn't really take into account what the fans really loved about the original.
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The original 'RoboCop' was X-rated, and then they had to cut it down so it became R-rated, and Verhoeven claimed that actually made the movie more violent, because it's what you don't see that actually scares you.
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Being an actor in movies is a lot about the power of your imagination and making the circumstance real to you so the audience will feel that it's real.
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What I enjoy most with acting is when it's a good scene with one or two other actors, and you feel a strong connection, and you don't know how you're going to respond, and everybody is listening to each other and getting affected by each other, and even though you've rehearsed it many times, it feels like it's happening right now.
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I like L.A., but it's just too many people in the same business everywhere you go. You lose perspective.
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Have you seen these Japanese hospital droids, or humanoids, or whatever they call it? They've perfected the skin, and the skin looks so real. They have these motors between the eyes for when they smile. It's just mind-blowing.