Victoria Beckham Quotes
Quotes to Explore
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I never thought that I would become a staple in the Australian cultural diet. The equivalent of bread or milk, or a fine old Tasmanian Mauve Vein. I think it's because I talk about things that people dare not mention. I don't mean raunchy things or unsavoury things. I call a spade a spade - I discuss things in a realistic manner.
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Sorrel adds a unique grassy sharpness to salads and dressings, but it can be hard to come by.
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Every fight, I'm fighting blind opponents. I don't know who it's going to be, who I'm fighting, if I'm really fighting them.
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I had to learn to not be so hard. And I had a wife and, at that time, a partner when Samori was born, and for most of Samori's life, a partner, who, for whatever reason, did not have to learn that and was very tender and very, very soft with him.
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This hunger for profits causes great misery for the people.
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I was born Roman, and I'll die Roman. I'll never leave this team or my city.
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Another thing: despite my youthful appearance, I am quite capable of making decisions.
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By and large, small companies don't want to settle for part-time employees over full-time positions.
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Quirky is what a guy would call a girl he doesn't understand.
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I particularly want more acting. I've been auditioning a lot, and I definitely want to act.
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I wouldn't overestimate the importance of my popularity in the country and abroad but at the end of the day it's not as important because I believe that my presence here could make some difference and it could encourage people.
Garry Kasparov -
A lot of people have a sense-of-entitlement mentality that somebody else ought to do these things for them. People are mad at the government for not getting jobs for them. I don't understand why it's the government's responsibility.
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I get strangely obsessed about the cleanliness of my house.
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It is not in our interest to sign economic policy agreements with the IMF, as that unnecessarily limits the room to manoeuvre of... the Hungarian government, Hungarian parliament and lawmakers.
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To be a writer you have to be out in the world, you have to risk yourself in the world, you have to be immersed in the world, you have to go out looking for it. This becomes harder as you get older because there's less energy, the days are shorter for older people and it's not so easy to go out and immerse oneself in the world outside.
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If you were to ask me to pick my favourite author, well, there are so many of them, I'd really just have to say the first names that came to mind, and I'm sure that I'll later think 'Oh, I should have mentioned that one.'
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Well, I'm not a critic, I'm just a worker. So, I'm always grateful for anything the critics say - good or bad.
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I think much of what you learn as a kid comes before age seven.
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The patience and ability to work through a long series of steps - to figure things out - is a foundation for the child's creative life later on.
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I started working for the 'NY Observer' when I was 33. After I had been writing for them for about a year and a half the editor said, 'Your stories are the most talked about stories in the 'Observer'; you should have your own column.'
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My conception of my ideal reader has expanded quite a lot as I've matured: Ultimately when I think of my ideal reader, it's someone who's not sitting down with the intention of automatically arguing with the book: somebody who's going to give me enough slack to tell my story.
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A free public broadcast license is a privilege.
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I have a lot of stuff I want to talk about and offer up. It would be odd not to have ideas about something.
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I have no intention of ever working with the Spice girls again.
