Caio Fonseca Quotes
Most people draw from the mind, not the eye. They draw the idea of a table or a face, not what's in front of them. We don't actually see the line of the jaw as a line and we don't see an eye as a perfectly outlined almond shape.
Quotes to Explore
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Broadway is really my life.
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Make that extra effort for every relationship. Whether it's with your parents, your children, your husband or your friends. It makes a difference to them. I try to give my kids a lot of solo time where I play with them, talk to them, listen to them. Similarly, you give time for your workout. You slot a time for it, no matter what.
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I can't conceive of cooking in a sunny place like Florida because my motivation comes from the changing seasons. That's why I decided to live in New York.
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Being Premier is a 24/7 job, so it doesn't create many spaces in order to be able to build relationships.
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A great work is made out of a combination of obedience and liberty.
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I'm not a writer; I'm an actor. My job is to take whatever character I'm given and - especially because I have the responsibility of being a black actress, and I know young black girls are looking up, and everyone's looking to what's on television - to just try to give whatever character I'm playing as three-dimensional a portrayal as I can.
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Our universities also have a lot of foreign students. Are we going to ban them access because in their culture there's a certain type of clothing?
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My health is fine.
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If people get to the end of the record, then that is a treat.
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There is, hidden or flaunted, a sword between the sexes till an entire marriage reconciles them.
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A man's friendships are, like his will, invalidated by marriage - but they are also no less invalidated by the marriage of his friends.
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I found one had to do some work every day, even at midnight, because either you're professional or you're not.
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The work environment on 'Battlestar Galactica' is unbelievable, and it's something that doesn't come along very often.
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I did an 'Our Town' in San Diego in the seventies with amateurs that I can tear up just thinking about.
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I know exactly what it's like to stand on top of a tall building or in a high place and look down and go, 'Ohhhh my God.' I try to get into that place every time I write a scene like that. And definitely when I write the action scenes, I get overheated and my heart goes really fast. I get very involved.
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Any film is about heroism: the triumph of good over evil. If you look back at my films, you will see that as a recurring theme.
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Though I am a Catholic, a professing one, I have serious doubts about the survival of the human personality after death.
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I run a solid 4-6 miles at a time, and over the last year two years I've gotten really into SoulCycle. It's sort of an evolved form of spinning.
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It's come to the point where you have people saying it's our Christian duty to embrace the homosexual movement. This is absurd.
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But once the ants and termites jumped the high barrier that prevents the vast variety of evolving animal groups from becoming fully social, they dominated the world.
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Being famous as a writer is like being famous in a village. It's not really any very heady fame.
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We've been given this great gift, this huge canvas of these beautiful books by George Martin, and the idea of telling this whole epic through to the end is incredibly compelling.
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I actually think I'm probably more interested in structure than most people who write screenplays, because I think about it.
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Most people draw from the mind, not the eye. They draw the idea of a table or a face, not what's in front of them. We don't actually see the line of the jaw as a line and we don't see an eye as a perfectly outlined almond shape.
