John Ambrose Fleming Quotes
Quotes to Explore
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Nobody can prepare you for the loss of a parent.
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Sometimes I think people get into trouble because they can't say what they want to.
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One can't do anything alone in Haiti. Sharing and cooperation are so deeply woven into the culture that sometimes it's hard to have a separate thought.
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I don't know if I should care for a man who made life easy; I should want someone who made it interesting.
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And then I think now we are - you know his - like I've always said. His spirit is so large that we feel his presence around the show, and we always will. He will always have a voice.
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I'm very happy with what I've accomplished, but we're going for more.
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I tell young actors to do anything that will sustain them.
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I'm not looking ahead joyfully to the rest of my life or the future of the human race. I've always written about man as an animal species among other animals, competing for limited resources. Our population is exploding. Our environment is dying. Science has debunked God.
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I was a normal American nerd.
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None of them want to delay. Understand that. None of them.
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As I mentioned, I was a carpenter for a time.
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I loved the time I got to spend in Denver. My boys, Arin and Ryan, were growing up. I got to spend time with them without being pried upon. There was no public scrutiny. I was free and could take them to the supermarket or to the park without being noticed or looked at.
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Movement of people is taking place on an immense scale, and from a European perspective, the number of potential future immigrants seems limitless.
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Doing is a quantum leap from imagining.
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You're going to a bunch of auditions, and most of the time you're just getting denied, but just staying in there and keeping my head and being determined helped. Growing is what's challenging; you have to constantly practice your craft.
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Modeling can be a bit brain damaging. Starting my own brand was what I needed to do. I only model if there are such good jobs that you don't want to say no to. All that dressing up makes me say, 'What do I want to wear?' and, 'What do I want to do with Topshop?' It all kind of leads into the other things.
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Everything goes with blond. You can wear it with any color, and it's great.
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I pretty much look like an identical twin of my mom.
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Just like Lara Jean in my book 'To All the Boys I've Loved Before,' I used to write letters to boys I was in love with - letters full of emotion and longing and also recrimination - but they were for my eyes only.
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When you set a play in the French Quarter in New Orleans, it's hard not to acknowledge the whole African-American, French, white mixing of races. That's what the French Quarter is: it's a Creole community.
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There's a quality of life in Maine which is this singular and unique. I think. It's absolutely a world onto itself.
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It's interesting, because I named my first album after my dad because I wanted to find him. My second album was named after my mom because I felt like I learned all my creative talents I learned from her. All the survival stuff, too. And then the next album is 'Maya,' which is not my real name. It's fake.
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We completely reject the theory of evolution.
