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With all the goodwill and local initiative in the world, we are not about to rewild anything until we change our way of thinking about our place in the creaturely world.
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I have never understood why so many gardeners favour straight lines and narrow, regulated borders; perhaps they think wildness could work only in a larger space.
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'The Asylum Dance' was written after I'd moved back to Scotland and was a response to moving to my old home area of Fife.
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When you have a child, you think about your personal history and what you offer them as a larger narrative, and I realised I knew nothing about my father's circumstances other than what he'd told me.
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Sadly, bird illustration has always been an under-appreciated art.
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The great pleasure that comes from reading poets such as Mark Doty and Marianne Moore is the realisation that the essential virtues - compassion, wonder, humility, respect for the mysterious - are far from conventionally heroic.
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I really like to try my hand at everything, and I think it's probably dangerous to let oneself be pigeon-holed, not necessarily by other people, but in one's own mind.
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Many of the birds Audubon painted are now extinct, and still we go on killing them, more or less casually, with our pesticides and wires and machinery.
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I moved south when I was 11 years old, moved to England. I've lived in all kinds of places, all parts of England.
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When I was ten years old, my family left a cold, damp prefab in West Fife and moved to Corby, Northamptonshire, where my father quickly found work at what was then the Stewarts & Lloyds steelworks.
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I don't like the term 'mental illness.' I'd rather just say 'mad.' Just like I always say 'loony bin,' not 'mental hospital.'
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I remember when I first encountered anthropocentrism. I was in primary school and, in preparation for our confirmation, the class was learning about the afterlife.
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If nature offers no home, then we must make a home one way or another. The only question is how.
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Given the right information to help them decide, people will opt for conditions that benefit our creaturely neighbours, even where they have no particular interest in larks or cuckoo wasps - because those conditions benefit us.
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Anyone who has ever stopped to watch a hawk in flight will know that this is one of the natural world's most elegant phenomena.
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My first book was a car crash. I tried to find all the copies and destroy them.
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All my life, I have been a celebrant of Halloween. For me, it is the most important day of the year, the turning point in the old pagan calendar.
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Irrationality interests me more than anything: sometimes it's very dangerous, but it can be incredibly beautiful.
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It may be a cliche, but cliche or not, I fear the day when the only marsh harriers or peregrines I can look at are in paintings by Joseph Wolf or Bruno Liljefors - and no matter how beautiful those works may be, life is the great thing: life, life, life.
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High Alpine meadows, like their near relatives prairie, desert and certain varieties of wetland, teach us to consider the world from a fresh perspective, to open our eyes and take account of what we have missed, reminding us that, in spite of our emphasis on the visual in everyday speech, we see so very little of the world.
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Worldwide, enormous areas of peatland are still being lost to agricultural development, drainage schemes, overgrazing, and exploitation-based infrastructure development projects such as roads, electricity pylons, telephone masts and gas pipelines.
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I went for a walk in the Arctic Circle without map or compass. Fortunately, I was only lost for hours, not days.
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There is a red sandy beach in the Minas Basin in Nova Scotia that is unlike any other shore landscape I have ever seen. The world's highest tides wash its shores, and the soft cliffs of Blomidon Provincial Park are constantly crumbling away; whole trees will occasionally slide down to the sea to decay slowly in the wind and brine.
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A mad person isn't someone who sees what isn't there; he's someone who sees what is there but that others can't see. I really believe that.