John C. Reilly Quotes
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I don't really get off on the anonymous love of strangers, which I think a lot of actors do. They're lacking something in their own personal lives, so they want the adoration of autographs and all that stuff.
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Sweet berry wine!
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I like how pure the expression is in music. You can go straight to the heart of an audience rather than through their brain.
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I was a founding member of the 'Dungeons and Dragons' club at my high school. I was in chorus, I was in swing choir. I was an outcast but I was an outcast among a group of outcasts.
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I was more like a middle child. My youngest brother was the baby, so he got all the attention that the baby gets. And my older brothers were getting into so much trouble that I was left in the middle, doing plays. I was up to no good, but my mother didn't know it!
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I kinda taught myself how to play guitar, and I still play to this day. It's become a pretty big part of my life.
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Animation is a great way to work. No early morning call times, no make-up chair. In live action, you're always fighting the clock; the sun is always going down too soon.
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I know I'm not some matinee idol, but I think we're sold this bill of goods by the media, which says that only the most beautiful and dashing people can become movie stars. So when someone like me sneaks in, they have to redo the calculations.
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I really enjoy my time off. If I'm going to go to work, it has to be something I really believe in, or else it's totally tedious.
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Actually, acting turned out to be the perfect job for me, because I had a lot of different interests. I thought about being a priest at one point. I thought about being a teacher. I thought about being a lawyer. But I think acting is probably the best job for me.
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This whole celebrity racket, it's not really my bag. I don't really do that stuff, and I am not looking to get famous myself. I would love it if my characters get famous, my work was well known and appreciated. But I'm an actor, not a spokes model or a celebrity or whatever that is. I don't know how to be that.
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'(infuriated)' I'M GONNA WRECK IT!
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Kind of the exhausting thing about doing pure comedy, or something that's broader, is you're kind of a slave to the laugh. If it's not funny, then there's not much point in doing it. The kind of ueber-objective is to make people laugh. You always have to have that in the back of your mind, 'Eh, I've got to figure out a way to make this funny.'
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I like people who are able to keep pushing themselves and challenging themselves even after great success.
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There are a lot of actors in the world, there's a small number that actually get to work as actors, and there is a tiny group of actors that are celebrated in the way that I have been. I feel incredibly lucky.
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This is real human drama, we're not creating some amusement park ride for the summer. Even though the movie is really exciting to watch, it's got a real pathos behind it.
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I try to take things that challenge me either physically or mentally, or I have to learn a new skill.
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Hollywood is an illusion. These intense workplaces, with very close relationships, a few months at a time - and then it ends.
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For a while I had a blues band in L.A., but I realized I was too optimistic to play the blues. I did not have the misery in my heart that the blues required.
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To me, it doesn't make any sense to pick your work based on the size of the budget of the movie.
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Acting's all about the confidence you exude, especially on film. I mean, nervousness isn't attractive in anyone, but a film camera will seek it out and punish you.
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Being unprepared makes me nervous. I'm old-fashioned show folk.
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A script is like a theory of a movie.
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I'm not a big fan of kids' movies that have this knowing snarkiness to them or this post-modern take on storytelling. I think that sails right over the heads of most kids. There's something to be said for a well-told fairy tale. There's a reason that these mythic stories stay with us.