John Coltrane Quotes
I start from one point and go as far as possible. But, unfortunately, I never lose my way. I 'localize,' which is to say that I think always in a given space. I rarely think of the whole of a solo, and only very briefly. I always return to the small part of the solo that I was in the process of playing.
Quotes to Explore
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So most astronauts getting ready to lift off are excited and very anxious and worried about that explosion - because if something goes wrong in the first seconds of launch, there's not very much you can do.
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If I can create some space that people haven't experienced before and if it stays with them or gives them a dream for the future, that's the kind of structure I seek to create.
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My grandfather started a school for the underprivileged in Chandigarh, and that is why we moved from Himachal to Chandigarh. It was a small school, where even I would teach while in school.
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Growing up on a farm was the best. I remember loving that expanse of space. The sky at night was so clear, I could see every star.
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I haven't got a waist. I've just got a sort of place, a bit like an unmarked level crossing.
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I have a very small public.
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The reason I decided to run for Senate is one of my responsibilities as governor is to make sure that the voices of our people and our small businesses in New Hampshire are heard in Washington and that we continue to make the type of progress we're making here at the state level; we need that same type of response and progress in Washington.
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Things change and work changes. Right now I like the idea of enveloping a space and getting messages across that connect to the world in ways that seem familiar but are different.
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Julia Child wasn't afraid to have fun. She made fantastic food but knew how to have a good time and not be too stuck up about the kitchen space.
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We think too small, like the frog at the bottom of the well. He thinks the sky is only as big as the top of the well. If he surfaced, he would have an entirely different view.
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Weight training and working on being explosive helped me gain a few yards of pace. Even when I was small, I was stocky. Even if people pushed me, I managed to stay on my feet.
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When we read stories of heroes, we identify with them. We take the journey with them. We see how the obstacles almost overcome them. We see how they grow as human beings or gain qualities or show great qualities of strength and courage and with them, we grow in some small way.
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I've worked with a couple of these really cool, great actors like Ted Danson and Glenn Close. They all have their own presence when they walk into a room, and I was excited to see what Tom Selleck's 'space' was going to be like.
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I am deeply grieved by the loss of the crew of Columbia. I express my sincere condolences to the families and friends of the astronauts. I believe that their names will remain as the bright sparkling stars in the universe and will light the way for those who will follow them on the difficult roads of space exploration.
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I want people to be drawn into the space of the work. And a lot of people are like me in that they have relatively short attention spans. So I shoot for the window of opportunity.
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With the growth of Harvard from a small provincial college into a great University, a unique paranoia has swept the ranks of local officialdom, furrowing brows throughout University Hall. The lurking fear is that somehow, in the operations of the gigantic administrative machine, a student might get lost in the shuffle.
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I like to play as a No. 10. I think I have more freedom offensively. For Belgium, we have full backs who run hard and create a lot of space, which is good, and I like to play there.
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The most important thing about Spaceship Earth - an instruction book didn't come with it.
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It can be very intense being an actor; it can be quite a small world. Then you speak to your friend who is a scientist and they have a completely different perspective.
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When we talk about dystopias, especially in young adult fiction, a lot of them are essentially science fictional futures. They aren't necessarily tied to the traditional concept of dystopia. And so in that space, my impression is that kids love reading about weird, wild, adventurous places, and dystopia fits that bill.
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Memory doesn't come as a straight narrative. It comes in small moments with all this white space.
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You know, it was a small, independent movie and with Paramount becoming involved, it was obviously a good thing, but you can't put a round peg in a square hole.
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There can be no brotherhood when some nations indulge in previously unheard of luxuries, while others struggle to stave off famine.
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I start from one point and go as far as possible. But, unfortunately, I never lose my way. I 'localize,' which is to say that I think always in a given space. I rarely think of the whole of a solo, and only very briefly. I always return to the small part of the solo that I was in the process of playing.
