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I studied for my degree in London and consequently ended up spending five years away from Cornwall. I deliberately moved away from the coast to experience a different way of life.
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I have improved the way in which I paint. The colours are cleaner and there is more energy in the brush work.
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The most amazing thing to me about the sea is the tide. A harbour like St. Ives is totally transformed in a very short space of time by the arrival or departure of the sea.
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The lifestyle that an artist can have, the freedom to wander in the landscape with no real pressure or deadlines, was a very attractive one.
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During the winter when the weather is too poor to work outside, I do use drawings and photographs, but I change my work so it is not just a time and place study.
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Digital media has destroyed much of the magic and mystery of the medium.
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I paint what I see, not what a camera would see.
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A little rule, a little sway,A sunbeam in a winter’s day,Is all the proud and mighty haveBetween the cradle and the grave.
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Ever charming, ever new,When will the landscape tire the view?
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I use about 20 different colours to retain the luminance in my work.
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I use a wide selection of colours. It is impossible to produce work like mine using only the primary colours as they only mix a certain range of colour.