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It all goes back to 'Wow, I never knew this about Marco Polo.' This is an incredible story and an incredible character, and such a rich world of Mongolian and Chinese culture.
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In many ways, it's easier to write a book. You have more latitude with structure, and you have the freedom to luxuriate within the internal lives and musings of your characters. But where a screenplay does not always demand great prose, a novel lives or dies by it.
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My son, Gio, wanted to do a horseback trip in Mongolia, but he didn't want to do an Abercrombie & Fitch-type tour, where they show you around while you sleep in B&Bs.
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Twelve years ago, when I was on the Pine Ridge Reservation for 'Thunderheart,' I was dong research into Native American horses that had come into extinction. I was tracing certain Lakota bloodlines, and it became an obsession.
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We drove for 10 hours on rocky trails out into the central part of Mongolia in a Russian utility vehicle with no shock absorbers. Then we arrived at a remote area where we stayed in a yurt and waited to meet a horse wrangler who was scheduled to bring our rides.
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When I was growing up I spent a lot of time reading about ancient China and was really fascinated.