Frank Black Quotes
It more or less has the shape of a love song, but 'Crescent Moon' reflects more my longing for an ancient romantic context that includes wild animals, fire, danger of death, stellar navigation, and seasonal intuition.
Quotes to Explore
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To live in New York is to see the world as it is to come.
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I consider myself as a free spokesman for the people.
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Our plans never turn out as tasty as reality.
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Being a celebrity, I don't even have to talk.
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If you give what can be taken, you are not really giving. Take what you are given, not what you want to be given. Give what cannot be taken.
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I do not consider myself beautiful.
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I like to stand right in front of my opponent. I think it makes for an exciting fight.
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The cat is classic whilst the dog is Gothic - nowhere in the animal world can we discover such really Hellenic perfection of form, with anatomy adapted to function, as in the felidae.
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One can not impede scientific progress.
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As a working-class actor, leaving school with no qualifications, being a printer and then becoming an actor and then working with people who to a certain extent had had a leg up. I never had that advantage. It's less an artistic need to express myself and more a need to prove myself.
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I had written my master's thesis on Ezra Pound on 'The Cantos.' And don't ask me about it. I don't remember anything about it.
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I learned that kids in show business are so different from regular, average students. They would gather behind you and help you to succeed in any way possible.
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I used to listen to 'Perfect Day' by Hoku every single day in high school! 'On this perfect day, nothin' standin' in my way... Don't you try to rain on my perfect day.' It pumped me up when I was feeling down or defeated, whether it was from the cool kids making me feel left out or feeling overwhelmed with homework and mean teachers.
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It hurts every day when you practice hard, but when this decathlon is over, I got the rest of my life to recuperate. Who cares how bad it hurts?
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I want to give the audience a hint of a scene. No more than that. Give them too much and they won't contribute anything themselves. Give them just a suggestion and you get them working with you. That's what gives the theater meaning: when it becomes a social act.
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I remember that, although I was full of fervour, I didn't have the slightest inkling, even at forty, of the deeper side to the movement we were pursuing by instinct. It was in the air!
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I think a film set is a quite controlled environment and you feel like you can trust them and it is going to be a safe place to work, but I really don't think about it.
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I'm obsessed with Marcus Mumford. I've got to know him recently; he's amazing.
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I am not the kind of girl who can trust a theory based on one person.
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Don't mess with me! I'm a black-belt!
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I remember once giving my dad some drawings and writings and said, 'If you could just give these to the publisher, that would be great.' And I was about five!
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Just because I can't change everything, doesn't mean I shouldn't try to change anything at all.
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Adding a column of figures is a repetitive thought process, and it was long ago properly relegated to the machine. True, the machine is sometimes controlled by the keyboard, and thought of a sort enters in reading the figures and poking the corresponding keys, but even this is avoidable.
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It more or less has the shape of a love song, but 'Crescent Moon' reflects more my longing for an ancient romantic context that includes wild animals, fire, danger of death, stellar navigation, and seasonal intuition.
