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It seems like every year Hollywood makes an attempt to retell the Manson story, and I just couldn't be less interested in it. It's not really our crowning achievement as a civilisation. I'm not saying it shouldn't be done, but it just bores me.
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I went to a performance of 'The Crucible' at the Guthrie when I was a sophomore in high school, and I knew right away that that's what I wanted to do.
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It's not like every director in every movie is seeking me out by any means, there are a lot of things I'm not suited for, a lot of things I'm not interested in, and a lot of things that directors wouldn't be interested in me for.
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As an actor, I think a mistake that any storyteller can make is to play the ending.
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A lot of times, you just don't get the jobs you want to get.
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I think we've all been misled, at moments in our lives, certainly in school situations, and things like that, with getting with the wrong group briefly, or falling in with someone who we learn the truth about and no longer want to really be with.
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I lived in Texas for 10 years.
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As an actor, you don't often get a chance to know exactly the impact of what the audience is seeing, even though you can ask where the frame is. A move that feels tiny can be huge, and vice versa.
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If a musician wants to be an actor, everyone thinks that's pretty cool. But if an actor wants to play a song, even if they've been doing it for 40 years, that's bad news.
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I'm just looking for the best story being told by the best people and the best part that I can find. If those things add up, I want to be a part of it whether it's a studio film or, more likely in that instance, an independent film.
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For the last 20 years of my life, I've had the mantra to do amazing parts with amazing people in amazing projects, so I'm attracted to good story, writing and character and good people. That's what I'm always searching for and I don't think that's ever going to change.
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I don't have any training as an actor, but I guess I'm an intense pretender. When you read something over and over, it gets into you a little bit. You can't help but begin to feel it, even if you're a healthy person as I think I am.
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I'd said to my sweetheart a couple of days before that the SAG and Spirit Award nomination was amazing and I had no attachment to the Academy Award. I knew I was an underdog so I just decided to sleep through the announcement.
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There's a lot of skeletons in my closet!
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It's much more interesting to watch someone who is ill-equipped to solve their problem fight to solve their problem than wallow in the knowledge that they're ill-equipped to solve their problems.
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I think that no matter how dark a person is, the more you learn about them, the more you understand about their life, the more you can sympathize with them or even root for them.
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When I realized that you can't necessarily be cast in a really great part living in Austin, even when Hollywood comes to town, I got a demo reel together and headed out west.
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Starting in the mid-'80s, I played in a band called Meat Joy, and we made our own record, toured.
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I maintain that if you're a novelist and you go into an art museum, you'll come out a better novelist. And if you paint a picture for an hour you're a better actor at the end of it.
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As an actor you have to have a strong vivid imagination as you're working and when the camera's rolling, but there's certainly a part of you that is aware of real life, that you're making a movie.
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It's nice to sometimes get things out of life, rather than stealing from other artists. I'm trying to steal from the real people.
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It's tough being an actor making music, because even I have a knee-jerk reaction to that.
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I met Robert Rodriguez working on a movie called 'Roadracers.'
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I generally play strong people and scary people.