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Any way you want to slice it, the thing about the apocalypse is, since the beginning of time, it's the projection of mankind's worst fear. The day that, as a race, our number is up.
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I'm an Australian. And I'm speaking generally here, but Australians in general aren't patriotic or nationalistic. Our country was built by immigrants. So, by my experience, I've seen the way immigration has transformed nations. They are the key people who quite literally build civilizations, be it culturally or musically.
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I always try and find a place for Guy Pearce. The great thing about him is he's so versatile, and I wouldn't work with an actor that much if it weren't for the fact that he had so much versatility.
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I've realized I've become a bit reactive to each film I do. After 'The Road,' I was desperate to do something that had color and warmth to it and a stronger sense of community.
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The Globes are voted for by anyone in L.A. who's ever written for a foreign newspaper or magazine. That means, like, Romanian cookery writers.
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There is a capacity for violence we all harbour, and under certain circumstances, it comes out.
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I think what actors have to do, what performers have to do to emotionally get to that place and have a camera and have your face 20 feet high on a screen, is such an incredible thing.
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Certain films, when shot digitally, the detail is like CG: you can't feel the sweat. I feel like digital is alienating. There's something superficial to digital compared to the richness of film.