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What was so amazing and inspiring about 'GoodFellas' was that it showed the foot soldiers; the people more at the bottom as opposed to focusing on the godfathers and the guys at the top.
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I'm an Australian. And I'm speaking generally here, but Australians in general aren't patriotic or nationalistic. Our country was built by immigrants. So, by my experience, I've seen the way immigration has transformed nations. They are the key people who quite literally build civilizations, be it culturally or musically.
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I'm actually a humanist, believe it or not, and I believe even when people are corrupted, even when they've gone to the dark side, they are still human beings.
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Any way you want to slice it, the thing about the apocalypse is, since the beginning of time, it's the projection of mankind's worst fear. The day that, as a race, our number is up.
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'The Road' reminds me of Steinbeck's 'The Grapes of Wrath.'
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There is a capacity for violence we all harbour, and under certain circumstances, it comes out.
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Film has its own innate poetry.
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Certain films, when shot digitally, the detail is like CG: you can't feel the sweat. I feel like digital is alienating. There's something superficial to digital compared to the richness of film.
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I think what actors have to do, what performers have to do to emotionally get to that place and have a camera and have your face 20 feet high on a screen, is such an incredible thing.
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The Globes are voted for by anyone in L.A. who's ever written for a foreign newspaper or magazine. That means, like, Romanian cookery writers.