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I don't think of kids as a lower form of the human species.
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People forget that when you're 16, you're probably more serious than you'll ever be again. You think seriously about the big questions.
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Many filmmakers portray teenagers as immoral and ignorant, with pursuits that are pretty base... But I haven't found that to be the case. I listen to kids. I respect them... Some of them are as bright as any of the adults I've met.
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I don't want to be too cool. You get so caught up with whether you're doing it right.
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My generation had to be taken seriously because we were stopping things and burning things. We were able to initiate change, because we had such vast numbers. We were part of the baby boom, and when we moved, everything moved with us.
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I don't consider myself qualified to do a movie about international intrigue - I seldom leave the country.
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I so desperately hate to end these movies that the first thing I do when I'm done is write another one. Then I don't feel sad about having to leave and everybody going away.
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I didn't have this tortured childhood; I liked it.
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I'm a former hippie, so clothes are important to me - your clothes defined you in that period. I guess clothes still defines people. But, I change a lot. I'm in my Brooks Brothers period now.
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To have a song work for the movie, it can't just be written apart and shoved in. It's got to come out of the action. It's got to talk about the characters, not the story: it has to augment that action.
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A nerd will be a nerd all his life.
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When I go to a concert, I can't believe that people pay lots of money to see a band that they obviously like and then they dance the whole time.
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Advertising was fairly simple work, and I really just wanted a job where I could sit and write every day and not get fired for it like I had at other jobs, but it was fun.
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I stumbled into this business, I didn't train for it. I yelled 'Action!' on my first two movies before the camera was turned on.
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I'd rather make music if I had the talent.
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Fantastic! Right in the middle of that long stretch between Christmas and Spring Break, your coats are getting dirty, everything's dark, dingy - what a great time for a movie!
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I used to judge the quality of music by whether I could make a 90-minute cassette and not repeat any artists.
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The best sounds a kid will get is in a movie theater, with huge speakers, turned up loud. I always mix my music really loud. I don't care if you don't hear all the dialogue. The audience are not idiots.
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When I approach a band, I want to respect them and be respectful of their music. I'm not gonna say, 'Look, you guys are real hot, so we'll stick you in the movie, and we'll get it in all these stores and all these stations.' That isn't right.
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My early prose style - this is so embarrassing - was sort of a suburban, Presbyterian knockoff of Woody Allen.
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Why watch someone kissing when people really close their eyes when they kiss?
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If I'm on a roll, and I finish a script at 3:00, I'll start another at 3:02.
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I was obsessed with romance. When I was in high school, I saw 'Doctor Zhivago' every day from the day it opened until the day it left the theater.
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At the time I came along, Hollywood's idea of teen movies meant there had to be a lot of nudity, usually involving boys in pursuit of sex, and pretty gross overall. Either that or a horror movie. And the last thing Hollywood wanted in their teen movies was teenagers!