Francois Nars Quotes
-
I would find myself in these photo shoots with models and makeup, and I got swept up in it all.
-
I loved working with Avedon.
-
As a make-up artist, you always want to be in a good light, whether you're walking down the street or in a restaurant. It is a very key element to me; you can't apply good make-up in a bad light.
-
It was never in my mind to be famous.
-
My goal was always to make the girl look real and look beautiful. It didn't matter how much makeup. Sometimes it was none at all.
-
Being a studio make-up artist and working on magazines was the only thing I wanted to do.
-
I always had a vision about beauty in general, so probably that's what really drove me into that direction of creating a makeup brand.
-
I think Edie Sedgwick comes back, too. Every five or six years, there is always something about Edie, because she was so modern and stylish and elegant and hippie-ish, all at the same time. So I think that people will always love her.
-
I think if you take good care of your skin, you can achieve better make-up.
-
I launched NARS with 12 shades of lipsticks, and many, many launches later, I'm still most proud of our lipsticks.
-
I remember this time I worked with Linda Evangelista on a shoot for Richard Avedon. I just put grease on her face, and it was beautiful.
-
I love strong looks, so to me, no makeup is strong. As long as it makes a statement, that's what I like. The girls look very real, and I'm probably the only makeup artist who will say that I love a woman without makeup.
-
The '80s and '90s were the greatest time to be a makeup artist.
-
Having worked with so many of the geniuses, I'd learned so much. It's the best sort of photography school, to work with people like Penn or Avedon or Meisel.
-
You can look glamorous even if you're a housewife, any job you have.
-
I wanted to be a make up artist. I did it, and the road that I took was quite good.
-
I love the dramatic idea of having nothing on.
-
From the start, I used a different kind of girl in Nars campaign images. My choice to use models of colour such as Alek Wek, Naomi Campbell and Karen Park Goude was absolutely a deliberate one. I felt that makeup was universal and should apply to everybody.
-
My vision was to create makeup that was more transparent but with formulas that last. I follow my instincts - it's all very spontaneous!
-
I fell in love with New York. I moved here 25 years ago in 1984 after I lived in Paris for six years. In the 1980s, it was the place to be. Here I was able to create NARS, which I would not have been able to create if I stayed in France.
-
I had no connections, and the fashion world was a closed elite. So my mother made appointments for herself with three top Parisian makeup artists and spoke highly about me... she was my first publicist!
-
I'm always scared of trends. The runways are always so trend-oriented, but I always feel for the women. The real women that buy cosmetics want to see the trends, but they don't necessarily go for them. And I always encourage women to find what looks best on them.
-
True icons are larger than life, unforgettable with an elegance that's mesmerizingly timeless.
-
You create the color first, and then the name that fits. It depends - there are no rules. You watch a fabulous old movie, and you suddenly get inspired by it to create a lipstick shade, or you walk through a gorgeous garden and find the most beautiful flower shade for an eye shadow, and then you name it.