John Lithgow Quotes
Quotes to Explore
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I just got to hear every note. After I left Birdland, I started working at the Jazz Gallery. In the end, I still couldn't play, but I knew how to listen. I was probably the world's best listener.
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I can't take anything seriously.
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I want to be acting until the day I die!
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A core part of Teach For America's mission has always been affecting positive change in the traditional public school system.
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Sometimes street knowledge can be as important as book knowledge.
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I want to be a female artist who is honest. I want to encourage other girls to be honest with who they are and not try to be picture perfect, because it's a woman's imperfections that make her perfect anyway.
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I have a band that I started with a buddy of mine, a Vietnam veteran pal named Kimo Williams from Chicago.
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I didn't start off as a journalist; I started off as a poet. My ambition was to practise poetry. Then I found journalism, but that other voice never fled from me.
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I'd love to be able to dance like Madhuri Dixit.
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The revolution will come from the people and the willingness to work towards something better, to fight for a better living.
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Aside from rabid Islamists, no one who wishes to be taken seriously can publicly say anything bad about the old Jews of Europe without sounding like reactionary troglodytes.
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I was on the snowboard team at my school, but that was the only sports team I was on. I played soccer growing up in elementary school.
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Film acting is really the trick of doing moments. You rarely do a take that lasts more than 20 seconds. You really earn your spurs acting onstage. I needed to do that for myself. I would hate to say at the end of everything that I never did a stage play.
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I mean, there are some amazing storytelling being done on the small screen right now. That's what so cool about being in television right now. Studios, networks are starting to throw more resources, better writers, more production values... and to be part of that is awesome.
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There's something so accessible about heroes who have faults.
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I started as an engineer. I migrated to philosophy and international politics. And I did my studies about African – Africa democracy and democratization in Africa, taking Kenya as a model. And then, while I was doing so in 1996 in South Africa, Al Jazeera was established. So they requested me to be an analyst on African affairs.
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I modeled for a little while in college. I was desperate to travel, and I got scouted, and they wanted me to go to Paris and London for six months. And I discovered that I hated it. I didn't like the expectation to be pretty all the time.
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I never got into 'MacGyver,' but 'All the President's Men' and 'The Conversation' were big for me.
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Divisions of the kind were fashionable at that time, and it was so easy to stifle one's need to help by deciding that help could neither be accepted nor understood.
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Adversity is the midwife of genius.
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I find it hard to watch a lot of the kind of things I'm doing before doing it. I don't think it's helpful for me. It makes me too aware.
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Inner freedom is not guided by our efforts; it comes from seeing what is true.
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No villain thinks of himself as a villain, and that's the approach I always take.
