John Lithgow Quotes
I got to have a great big knock-down, drag-out fight with Sylvester Stallone. Every actor should have that much fun at some point. You can hit him as hard as you can, and it's never enough for him.

Quotes to Explore
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Without philosophy, history is always for me dead and dumb.
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There are so many lovely cities around the U.S., around the world, that it's almost impossible to pick one.
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If you stop being scared, that's when entropy sets in, and you may as well go home.
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When I was doing all this acting stuff, all these kids, like, assumed, 'Oh, my God, you're on TV, and you probably have a lot of money.' And I was living in a garage.
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I was always taken in and out of school.
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Don't feel sorry for me. I've had a great life, great friends.
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For most of us, wisdom is acquired in the thicket of experience and usually meets us somewhere along the way if we live long enough. But sooner is better than later.
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The path that went by the little house had become a road. Almost every day Laura and Mary stopped their playing and stared in surprise at a wagon slowly creaking by on that road.
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I had a lot of fun in Cambodia, much more so in Cambodia than Vietnam.
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Academic institutions in Britain have been infiltrated for years by dangerous theocratic fantasists. I should know: I was one of them.
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A man has no more character than he can command in a time of crisis.
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My mother's parents died when I was quite young, so I would like to be able to go back and know those people as an adult.
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My family and relatives alone could fill Shanmukhananda Hall in Bombay.
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I never really do much research before signing a film. It is just the script and character that I concentrate on.
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There are always three speeches, for every one you actually gave. The one you practiced, the one you gave, and the one you wish you gave.
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Actively deciding to give to causes that move you deeply is far more fulfilling than the momentary gratification derived from signing a check and mailing it to a nonprofit about which you know little more than what's on the brochure they sent you.
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In 'Laurence Anyways,' Nathalie Baye is Laurence's mother, and she is quite an awful mother. Still, she is the only one in the end who truly accepts her daughter.
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You just have to take these opportunities when they come along. They're not that frequent; you'll get a really good script, oh, maybe once a year if you're lucky.
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I feel different than I did three years ago, in The Cider House Rules.
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Sometimes, I think I have the best job in the world.
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The last thing I do before bed is think I should take my contacts out. Then I fall asleep.
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The jazz rhythm won't be understood by the bulk of my audience. That's the problem. We can get away with maybe one tune a night. It depends on where we place it. A song like 'Beyond the Sea,' the fans love that. It's fresh.
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You can have an interesting story about a person living an interesting life. And if it's done well, that is just as engaging as the end of the world. A million people dying - we can't process. One person, we can process.
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I got to have a great big knock-down, drag-out fight with Sylvester Stallone. Every actor should have that much fun at some point. You can hit him as hard as you can, and it's never enough for him.