John Joseph Lydon (Johnny Rotten) Quotes
Quotes to Explore
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Wine and women do not go with song. Alcohol is the worst enemy of the imagination.
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My son's a West Point cadet.
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I've always been in love with the States. When I was a kid, we would take these long summer holidays in Texas, Nashville, and all over. I fell in love with the people, the food, even the smell. You don't necessarily get that in old Europe.
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I'm extremely determined and ambitious.
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The power of Twitter still never ceases to amaze me.
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I was very driven in high school. I worked a bunch of odd jobs. I never partied. I never drank. I was just a theater geek who was obsessed with movies.
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You know how in every heist movie they get past the security cameras that show the hallway leading to the diamonds by jamming the screens with a fake signal of everything looking safe and quiet? Usually a guard coughs so they don't notice the blip from switching to the bogus feed.
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I grew up around old stuff that was not necessarily valuable, but certainly unusual.
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I like the idea that you can paint something outdoors, and anyone can see it. It's open to anyone, and people have to deal with it. In the gallery, it's the same 150 people on the San Francisco art scene. There's a dynamic on the street that's definitely more interesting.
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I think movies lost a lot when they went to stereo and five-track sound.
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I like the idea of growing old gracefully and full of wrinkles... like Audrey Hepburn.
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If people think I look good, it's the make-up.
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The birth of the African Union should encourage us to reexamine relations between African States.
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Training is my drug. I'm going to be the best I can in and out of the water - train right, eat right - and that is the way it should be.
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Everything that enlarges the sphere of human powers, that shows man he can do what he thought he could not do, is valuable.
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I'm one of those fellows so frightened of driving that I go 80 miles an hour - and the more frightened I get, the faster I go.
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I tried to use words that were dealing with the emotional quality that any human being could recognize in the way that they felt about their country. It's to do with the world we live in. That world is a brutal one and full of war. It's also full of many wonderful things and love and hope.
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Thirdly, even if we assume that the world is governed by purpose, we need only add that this purpose - or, if there are several, at least one of them - is not especially intent on preventing suffering, whether it is indifferent to suffering or actually rejoices in it.
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The first time I worked with colors was by making these mosaics of Pantone swatches. They end up being very large pictures, and I photographed with a very large camera - an 8x10 camera. So you can see the surface of every single swatch - like in this picture of Chuck Close. And you have to walk very far to be able to see it.
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I write about whatever turns up. Every single day, I'm sitting down for three to five hours in the evenings wrestling away and producing far too much verse.
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I never, ever had it in my mind that I wanted to be in the record industry, because I still contend that the record industry is an insidious affair. It's this terrible collision between art and commerce, and it will always be that way.
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In 'Swimming Pool,' all the colors are very warm, sunny, the pool and all that. In 'Love Crime,' everything is so cold, and it's all inside skyscrapers.
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Positive feedbacks, when unchecked, can produce runaways until the deviation from equilibrium is so large that other effects can be abruptly triggered and lead to ruptures and crashes.
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Every single lyric I've ever written I meant.
