Karl Marx Quotes
Quotes to Explore
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I still wanted to see the family come back to life. And when that didn't transpire from the music, it kinda made me feel like I was bein' taken advantage of. I thought, when people heard '8 Diagrams,' they'd be like, 'Oh, Wu-Tang is a wrap now - they've lost it.' And I know that we didn't lose it.
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I will never sign to a major record label again. If, by some mega fluke, a record of mine looked like it might break big, I'd try and do it via an indie or somehow license it. I'm not having my music owned by those corporate bastards again.
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If I had had a chance to tour with Van Halen before the record, I think it would have been a different record.
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Our entire film fraternity should be proud of 'Baahubali.' These are the kind of films that are not made very often.
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The usual fortune of complaint is to excite contempt more than pity.
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I stopped watching horror movies after I watched 'Candyman' when I was – I don't know, fifteen or something. I remember my sister rented it, 'Candyman,' and it really, really scared me. And so it was only after I found myself in a horror film that I really went back and kind of rediscovered the genre.
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I'd rather be hated for who I am than loved who I am not. Even if you're not accepted, at least you are still yourself.
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Bipartisanship is really tough to achieve when everyone on both sides is left with a bad, bad taste in their mouths.
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To be honest with you, a lot of directors can be very lazy.
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Having stretched the boundaries some, I'm perfectly content now to work within them. 'Doonesbury' doesn't need to become 'South Park.' You won't ever see any singing turds.
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When you work in television, you're in the writer's room all the time.
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Elegance is not a dispensable luxury but a factor that decides between success and failure.
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I learned that five- and-six-year-old kids have already figured out how to be intolerant.
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When I'm painting, I'm not aware of what I'm doing. It's only after a get acquainted period that I see what I've been about. I've no fears about making changes for the painting has a life of its own.
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I work with people like Spielberg and Abrams all the time.
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In the United States, man does not feel that he has been torn from the center of creation and suspended between hostile forces. He has built his own world, and it is built in his own image: it is his mirror. But now he cannot recognize himself in his inhuman objects, nor in his fellows.
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I used to enjoy bad television, like really bad quiz programmes or sitcoms.
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The weather in California is so much hotter than it is in England that it's absolutely changed my style. I have many more dresses and shorts than I ever thought I would coming from U.K.! It's so much easier to dress femininely in a warm climate.
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To be born, or at any rate bred, in a hand-bag, whether it had handles or not, seems to me to display a contempt for the ordinary decencies of family life that reminds one of the worst excesses of the French Revolution.
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Wouldn't it be grand if we thought that theater could have that impact on the political life of a country?
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Well it seems to me, that all real communities grow out of a shared confrontation with survival. Communities are not produced by sentiment or mere goodwill. They grow out of a shared struggle. Our situation in the desert is an incubator for community.
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Let's face it, the great comedians now that are handicapped in the looks department are tremendous writers.
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The most esteemed journalists are precisely the most servile. For it is by making themselves useful to the powerful that they gain access to the "best" sources.
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But every class struggle is a political struggle.
