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When the songs pop out, that's like the climax of us building.
John Otto Limp Bizkit -
I was really conscious of that when I went in because I felt that I was pretty solid on the first one, but I didn't have the groove exactly where I wanted it.
John Otto Limp Bizkit
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When I was young, I had one of those Yamaha drum machines, and I used to practice to that quite a bit, just to practice soloing and being in time and completing all my phrases.
John Otto Limp Bizkit -
We've got many different sides of music to us.
John Otto Limp Bizkit -
Sometimes the band can't fully hear your fill, so they come in differently. So I've also learned not to really step out too much, because you sacrifice the band when you do that.
John Otto Limp Bizkit -
Onstage, it's more of a momentary pressure.
John Otto Limp Bizkit -
Even on the drum level, it's all about stating your theme, going back to certain things that need to be emphasized, not doing fills for the sake of doing fills.
John Otto Limp Bizkit -
When the snares don't hit together, it's just the most awful thing to hear.
John Otto Limp Bizkit
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I've always liked funk and rock and everything.
John Otto Limp Bizkit -
Jazz was more of a tool for me to use to enhance my musicality.
John Otto Limp Bizkit -
I really just wanted to play the drum set and match that. I was never really into the percussion thing.
John Otto Limp Bizkit -
We knew we wanted to put a lot of melody into it - a lot more than what we did on our first album.
John Otto Limp Bizkit -
I'd take the syncopation and play swing, and then read the syncopation lines with my left hand.
John Otto Limp Bizkit -
I usually go with the first instinct, and then build upon that.
John Otto Limp Bizkit