John Otto Quotes
Quotes to Explore
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When U.S.-based editors and columnists parachute into a news storm, it is often the stringers who keep us out of trouble, helping us glimpse the complexity behind the headlines.
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I always start the day by washing my face and moisturizing.
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I'd like to be Queen Elizabeth.
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Greetings and death to our enemies.
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I love the road, and I love coming in contact with the fans. They talk to me and that's irreplaceable. But when I get tired, I head to the studio and I am in there for a long time.
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In the beginning, I found it hard to give my songs away, but now I've realised it's exciting, and it's only making me better.
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I've got to be honest, there's no pleasure when you're working.
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At the end of the day, you can't have a vision; you have to have a hope. This is where the miracle comes in.
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In the five months I wrote the final draft of 'The Association of Small Bombs,' I never fell out of the book. The world was real to me: plausible and powerful.
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I think the reason they cast me as the good girls is because they couldn't find any in Hollywood.
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I think we in the Alpha Band, which was a strange group anyway, weren't dealing with any of these issues. They sneaked up on us and took us over, before we know what was going on.
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Fear may very well be a caveman fear of the predator, of the giant lizard chasing them - maybe that's what Steven Spielberg connects with so well in Lost World.
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I was never one of those surly teenagers who doesn't smile. My lovely godfather said it was always lovely to see me because I was the only teenager who smiled. And I was so in awe of him, I thought it was one of the best things anyone had ever said to me. So it made me want to live up to what he said.
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My motto is: feel the fear and do it anyway.
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I was a Presbyterian minister at a small church in Omaha, Nebraska.
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We want to be two-way players; that's the best thing.
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This is my seventh decade... and every once in a while I get a hankering to re-visit these songs again... songs with which I have had a great relationship.
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The most enduring stories in literature generally have some kind of crime at their center, whether it's the bloody butchery of 'Hamlet,' the lecherous misanthropes of Dickens or the lone gunman from 'The Great Gatsby.'
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To me good storytelling is about journeys. It's about people's journeys, people's discoveries and how they deal with those discoveries; circumstances that put people in different situations.
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My high school didn't have a football team; we just had like a surf team, because I grew up in Encinitas, California, which is the ultimate place where everyone skated or surfed, so it was a very different culture. It was, like, cool to be the art kid.
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You learn different things through fiction. Historians are always making a plot about how certain things came to happen. Whereas a novelist looks at tiny little things and builds up a sort of map, like a painting, so that you see the shapes of things.
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They use all of the music that I did in the '50s, '60s and the '70s behind people like Tupac and LL Cool J. I'm into all that stuff.
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We've got many different sides of music to us.
