Melanie Fiona Hallim (Melanie Fiona) Quotes
Older audiences are hard to win over. They're very specific in their tastes and critical of new music.
Quotes to Explore
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I know I should be Wonder Woman. They need an international actress - a fresh face. They need a woman who's tall, athletic and dark-haired - and an actress who can play the part. That's me. So, I'm coming to L.A. to work hard and meet the industry. And if 'Wonder Woman' comes together, I want it.
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Often what we do is open our house for various charity events. I don't seat according to protocol. I don't invite people because of who they are in the administration or their positions of power. The few who do come, are there because I like them.
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For every reason it's not possible, there are hundreds of people who have faced the same circumstances and succeeded.
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I've never been that guy who says, 'Ooh, I have to play King Lear'. First off, that'd be a disaster anyway. I tend to read something and see who's involved, and then know I want to be part of it. But I don't think I'm through with comedy. I still love to make people laugh.
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As a free-speech advocate, I believe that adults should have access to any material they want. As a parent, and a community member, I think people should be able to protect their homes from imagery - much of it violent - that is, I feel, a form of child abuse when adult society inflicts it upon children.
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Just as we might take Darwin as an example of the normal extraverted thinking type, the normal introverted thinking type could be represented by Kant. The one speaks with facts, the other relies on the subjective factor. Darwin ranges over the wide field of objective reality, Kant restricts himself to a critique of knowledge.
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I've never met anybody who says they don't like the World Cup. If you're a soccer fan or not, everybody loves watching it, and I think it could be the same for other sports.
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It's my deepest interest as an actor: I love discovering how human beings work, how their flaws reveal themselves - how to learn and grow from that - and how characters teach me things as a woman and as a parent.
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You are the only you. That means you don't lose roles to anybody else. There's no competition, so they either want you or they don't want you, and it's not that they wanted someone else over you.
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As goes California, so goes the rest of the nation.
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If we want to talk about freedom, we must mean freedom for others as well as ourselves, and we must mean freedom for everyone inside our frontiers as well as outside.
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I am a kind of paranoid in reverse. I suspect people of plotting to make me happy.
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Spiritual infirmities such as tepidity are caused, not only by chills but also by fevers, that is, by excessive zeal.
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The biggest thing the money Infosys brought me is the freedom to do what I want. And what I want is to give millions more the opportunities I had.
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You must enjoy the journey because whether or not you get there, you must have fun on the way.
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You can't totally rebel, otherwise you have to go live on your own, on a desert island. It's as simple as that.
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'Orphan Black' allows for people to have debates and theories and allegiances to different characters - to trust characters and hate other characters - but it doesn't tell you who is good or bad or right or wrong. That's the most exciting storytelling, in my book.
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I have a ranch, which is my favorite place in the world.
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I have designed my style pantomimes as white ink drawings on black backgrounds, so that man’s destiny appears as a thread lost in an endless labyrinth... I have tried to shed some gleams of light on the shadow of man startled by his anguish.
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Everyone's frightened. It's how you deal with that fear. It's very, very powerful. And what you've got to do is get it as a tailwind instead of a headwind. And that's a little bit of a judo trick in your mind. And once you learn that, fear starts to excite you. Because you know that you are going to enter into something and try it and risk.
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I love working with people and having them bring something to the table that I couldn't. I think one of my favourite artists to work with has been Kucka. She's Australian, too, and it's great working with her because we kind of have a very similar take on music, and we like a lot of the same stuff. We're not super-precious about ideas.
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I'm not technically proficient enough to attempt all kinds of music.
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The main thing in life is not to be afraid of being human.
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Older audiences are hard to win over. They're very specific in their tastes and critical of new music.
