Melanie Lynskey Quotes
Even when I'm reading a script where I'm supposed to be looking at the lead role, I'll find myself gravitating toward some small weirdo in a few scenes instead. I'm very instinctive like that and I love the challenge of not having a lot of time to create someone who feels real.
Quotes to Explore
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Only time, education and plenty of good schooling will make anti-segregation work.
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My mom teaches sixth grade and also taught first grade at one point. She's into dressing up and costumes and designing her own curriculum that way. She stayed home for about eight years with me and my sister when we were young before going back to teaching, so we had a lot of time with her. She taught us to read really early.
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I was 25 years old when I arrived in D.C. It was just myself and two people who worked and helped me in the kitchen. I was only cooking for three people most of the time.
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I believe that we must maintain pride in the knowledge that the actions we take, based on our own decisions and choices as individuals, link directly to the magnificent challenge of transforming human history.
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Eliza Factor's first novel, 'The Mercury Fountain,' explores what happens when a life driven by ideology confronts implacable truths of science and human nature. It also shows how leaders can inflict damage by neglecting the real needs of real people.
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I lived in Montreal from the time I was 12 until I was 16.
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For being in a relationship or to be linked up with somebody, you need to have time. I hang out with my friends just at my leisure, but there's no time to get into any link up.
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The Web forces me to be disciplined and not to waste time – but before the Web was invented, there were plenty of opportunities to do that anyway.
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I guess I never had a better experience than working on The Long Riders, and at the same time, I never had a harder time than what I did making Southern Comfort.
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I try to take the time to appreciate and I certainly do appreciate and I do feel proud but that is probably one of the things I need to work on, building a bit of time for myself.
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I have had the most wonderful time on 'EastEnders' and I will miss you all. The show has changed my life and I want you all to continue the good work, because I'll be at home watching you.
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Education... has produced a vast population able to read but unable to distinguish what is worth reading.
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That whole environment was just incompatible with my beliefs and my personality. It was a dark time for me.
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Another time I cracked two of the vertebrae in my back and broke a rib.
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When someone is playing drums, they aren't actually moving around a space; they're just moving their arms and limbs. They're stuck behind the drum set. So to film someone playing the drums and make it feel as kinetic as a car chase or a shootout or a battle scene was the challenge.
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It's a sad commentary when I have to say that sometimes in our country we are real sensitive to race.
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I was just lucky enough to grow up in a time when they actually had drama departments in schools.
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I try to get roles that challenge me in what I can do and who I think I can portray. For me, it's about creating characters with really fascinating stories, because that's what I like to watch on TV.
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You know, people talk about this being an uncertain time. You know, all time is uncertain. I mean, it was uncertain back in - in 2007, we just didn't know it was uncertain. It was - uncertain on September 10th, 2001. It was uncertain on October 18th, 1987, you just didn't know it.
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I kind of live by this old thing that time will tell whether people are going to write about this or that; all we can do is be who we are and make records we love, and everything else will sort itself out.
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There was a great strain in our family because my father didn't want anything to do with me. He was happy to see my brother and sister, but not me. I don't know why. Maybe it was shame. I don't know. But he never wanted anything to do with me. That rejection was terribly hurtful and it went on for years.
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I think you get so wrapped up in the book you're currently writing, it's hard to think about anything else. But I know as soon as I'm done with this book, I'll move on to something else.
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European affairs are no longer reserved for the executive.
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Even when I'm reading a script where I'm supposed to be looking at the lead role, I'll find myself gravitating toward some small weirdo in a few scenes instead. I'm very instinctive like that and I love the challenge of not having a lot of time to create someone who feels real.
