Gaston Bachelard Quotes
The philosophy of poetry must acknowledge that the poetic act has no past, at least no recent past, in which its preparation and appearance could be followed.
Quotes to Explore
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I wrote poetry before I wrote songs, and T.S. Eliot was my inspiration. I love his honesty and try to bring that to my own songwriting.
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My works are an imitation of my own past and present.
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The only thing I regret about my past is the length of it. If I had to live my life again I'd make all the same mistakes - only sooner.
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I've done stuff in the past and followed in the footsteps of my heroes, and each time, it felt a little bit surreal.
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I think poetry's always a kind of faith. It is the kind that I have.
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The sense of one's past is so strong and forms our sense of self so strongly, it will always fascinate, elude and confuse me.
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Oh my goodness me, Daniel Day-Lewis – huge, huge fan of his. I've always loved his philosophy on acting: he always talks about returning to a state of play.
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People always think they're in the middle of a revolution while they tend not to realize the enormity of a change that has happened in the past. The telegraph was a revolution, but who looks at it that way these days? The telegraph sped up the transportation of messages over long distances by a huge factor.
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Although Alchemy has now fallen into contempt, and is even considered a thing of the past, the physicain should not be influenced by such judgements.
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I don't want to be involved with an actor because I know how they are. I've had problems in the past being with guys who haven't had any success or haven't made as much money, and it's very uncomfortable.
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Deals are my art form. Other people paint beautifully on canvas or write wonderful poetry. I like making deals, preferably big deals. That's how I get my kicks.
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Writers are historians, too. It is in literature that the greater truths about a people and their past are found.
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I think poetry always lives its life, and people come to it and people go away from it, 'people' in the sense of larger numbers of people. It's as though you begin to think that poetry is a resource, and that at certain times people seem to need it or want it or can find sustenance in it, and at other times they can't.
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Such discussions help us very little to enjoy what has been well done in art or poetry, to discriminate between what is more and what is less excellent in them, or to use words like beauty, excellence, art, poetry, with a more precise meaning than they would otherwise have.
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The mistakes and unresolved difficulties of the past in mathematics have always been the opportunities of its future.
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Religion and philosophy, philosophy and religion - they're two words which are both... different. In spelling.
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I don't believe in cutting out people from the past. It doesn't give strength; it just gives loneliness.
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I've noticed that the few times I've traveled first class myself, you've already got your drink, and your coat has been taken by the time the rest of the passengers file on, and it's hard not to feel sorry for them. They're sort of trooping past you like cows to slaughter and you're sitting there in your, you know, wide-body seat.
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Our government leaders... have made many mistakes in the past when they have lost sight of the sacred American values rooted in the Declaration of Independence and the Constitution. We are at the brink of even graver mistakes and assaults on these values.
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Film has always been a really good tool for me to communicate emotion about why I create a collection. I'm probably one of the first designers to make short films.
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You can be forgotten very quickly. So I am aware that I need to stay current, keep connecting, and keep bringing things to the table... Otherwise, you can just disappear.
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I don't think for a second that I'm the best at anything, but I know I'm really good at quite a lot of things because I work hard.
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Methinks a father Is at the nuptial of his son a guest That best becomes the table.
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The philosophy of poetry must acknowledge that the poetic act has no past, at least no recent past, in which its preparation and appearance could be followed.
