Peter Mullan Quotes
I know virtually no one of my age who can remember a hug, or a smile from their father, or a 'Let's go play football.'
Quotes to Explore
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I'm not running for state Senate because I wanted to become a politician. I'm running because I wanted to serve.
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I was a dispatcher, flat-tire fixer, changed the oil, fixed the fan belts. There was nothing too good for me.
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I've been in this business for 40 years - you do a show, and you don't know what's going to come of it.
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Anytime you have a tight race and you lose, it's not pleasant.
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Younger audiences are into me because I did 'Stuart Little,' and that movie was a very big deal for kids. And in 'Angels in the Outfield,' a generation of kids learned about magic and angels. And then, of course, there are these two blond girls named Mary-Kate and Ashley Olsen, and I played their nanny on their TV show.
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My most cherished desire is to help our women come out of their routine chores and infuse in them the indefatigable spirit of adventure.
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Acting is an escape from the boring person that I am in real life.
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I want to keep a thread between the studio and the stage, and I want to flow more easily from one to the other.
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A big thing that gets people in trouble in the kitchen is not reading the recipe from start to finish before you cook it. Before you start anything, read through the entire recipe once.
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But I have to say I'm incredibly proud of the Panther Racing National Guard Team, and in my IndyCar career there's not many races where I've honestly left the track feeling that we've executed everything perfectly. And I have to say, I thought they did an absolute phenomenal job. The pit stops were just first class.
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I've been to parties in L.A. that are mind-blowing. I mean, quite literally mind-blowing. People get cellphones in the party bag, that sort of thing. Fabulous, fabulous parties.
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If vaudeville had died, television was the box they put it in.
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There are certain types of slightly hysterical human characters who, rather than creating, walk around with a sense of their own potential - it's as if they themselves were art objects. They feel as if their lives are written narratives, or pieces of music.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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If you're a psychologist, you can instrumentally change peoples lives for the better. But you can only do that for about 300 people to maybe a thousand people - if you're really prolific and you're working really hard.
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We have these old fashioned ideas. For instance, here in America, we talk about democracy - but we don't have a democracy. There are elements of a democracy.
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I'm 80 years old, and I don't know what I'm going to be when I grow up.
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If someone had told me in high school that one day I'd write an historical novel, I would have rolled my eyes.
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Different directors offer you different things, and it's not necessarily the most obvious things.
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I was scared when I went to Conde Nast. I had heard horror stories about how they used you up and then spit you out and went on. But there was this great history of photography that had been done there.
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Healing does not take place in the fast lane.
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The thing people don't get about Indian films is that the songs are the story.
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I know virtually no one of my age who can remember a hug, or a smile from their father, or a 'Let's go play football.'
