John Waters Quotes
Quotes to Explore
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We've all done actions in our lives where we compromise what we believe in. And if we keep doing it, there's no way back, no pride to hold on to.
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I'm a huge fan of 'Eastbound & Down.' It's one of my favorite shows.
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I think it's always easy to be sympathetic to parts of the government in detail; in their concrete manifestations. Because obviously, we don't have government for no reason.
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If I have a 100 percent batting average, you should fire me, because it means we haven't tried anything really noble.
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There has to be so many other ways of approaching airline security than demeaning ourselves by giving up a lot of our dignities and our liberty to do this.
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We are all hungry and thirsty for concrete images. Abstract art will have been good for one thing: to restore its exact virginity to figurative art.
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Part of the reason I sort of shot out like a cannon out of Michigan and left home at such an early age is because I had to feel independent.
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The easiest way around the bases is with one swing of the bat.
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Nine months after we submitted the original screenplay for 'The Attack,' the studio that was involved pulled out. I've been told that 'you don't write in a French way; you can't make these multicultural films.'
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I prefer to make movies which not only have a message for 'then' but a message for 'now.'
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Research confirms that great teachers change lives. Students with one highly effective elementary school teacher are more likely to go to college, less likely to become pregnant as teens, and earn tens of thousands more over their lifetimes.
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In 1990, when I had just arrived in New York City as a wet-behind-the-ears 20-something girl from Arizona, I spent a year or more working as the personal secretary and secret ghostwriter to an American-born countess in her apartment on the Upper East Side.
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The textile industry became a huge deal in 19th century America, kind of like the tech industry is today. And that immigrant tradition continues, especially in tech, America's most dominant and dynamic industry today.
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His priority did not seem to be to teach them what he knew, but rather to impress upon them that nothing, not even... knowledge, was foolproof.
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I went into the sciences very early on, but to me, economics pervades so much more of our lives and our existence.
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If I find cool, open-minded people, want to do unique one-of-a-kind kind of project, I'll do it as long as I can.
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Patients know in a heartbeat if they're getting a clumsy exam.
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I love entertaining people, I love playing music, and I love rocking like an animal. But at a certain point, you're playing gig after gig after gig, in town after town after town, and you're lying down, staring at another hotel-room ceiling, and it's like, 'I want to be home. I'm a dad. I've got kids.'
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I think trust is the most important thing. If the actors and the director and the crew trust each other and you set up perimeters and boundaries, you give everyone space to do great work.
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It helps to write as the character that I am trying to be, and try to journal every day as them. Once I've already recorded thoughts as this person, it's easier to just flip back through and be like, 'Oh, yeah, this is what she's thinking; this is what she's feeling.'
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We thought we'd write a good script for women, giving them the fun roles that generally men get.
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If a man is not good, what has he to do with the rules of propriety? If he is not good, what has he to do with music?
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As an actor just learning the craft, you literally do a scene with Jimmy Gandolfini, and you walk away a better actor.
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I don't mind snobs, if they have a reason to be a snob.
