Peter Schiff Quotes
Quotes to Explore
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I am getting to that age where I am too old to play the boy next door and too young to play Uncle Fester.
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I love to push myself.
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You gotta ask 'why' questions. 'Why did you do this?' A 'why' question you can't answer with one word.
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This dragonfly came up to me. He was hovering right in front of my face, and I was really examining him, thinking, How does he see me? I became enlightened.
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A baby comes with such responsibility. Once you become a mother, you always have a guilt trip. You always try to do the best, but you feel you can always be better.
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I always think of my films within the context of where aesthetics meet economics. That's the nature of making art - not being naive about what is possible and getting what you need to tell the story you want to tell.
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I think I'm a lot funnier and goofier than people were able to see on 'Dancing With the Stars.'
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A lot of times, we look at jazz in eras. How can we not keep those eras separate and think of the language as one complete continuum? It's all interrelated, and it's all evolutionary.
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The closer the look one takes at a word, the greater distance from which it looks back.
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Flexibility is crucial to my fitness. Incorporating a good warm-up and cool-down into every session decreases my chances of injury. I use both dynamic and static stretching in my training. I've starting doing a few yoga sessions which incorporates muscle strength and flexibility.
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Many societal problems concern science, such as the energy crisis, genetic alterations of foods.
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I feel super lucky to be living in New York. I love the city, I love the energy. I always loved it. I had pictures of New York in my bedroom when I was young.
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Our censorship has sort of gotten a little too far. Too much censorship is just as bad as having none at all. Children need to be exposed to things, because if they don't see it, eventually, it's not like it's not going to happen, but it's just that there needs to be a balance.
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Vietnam helped me to look at the horror and terror in the hearts of people and realize how we can't aim guns and set booby traps for people we have never spoken a word to. That kind of impersonal violence mystifies me.
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I love baseball. And American Football, too. But not rugby.
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One of the missions of 'The Nightly Show' was to have a conversation with America in a sense, and talk about the things that people didn't want to talk about it.
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I guess you could say I have bad taste in men. But I no longer feel the need to be someone's wife.
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I'm not courting labor. I come from a labor background. To me, it's just intuitive.
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Shakespeare set a lot of his dramas in a historical perspective or war perspective, or he would study what was going on at that time.
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For me, a good thriller must teach me something about the real world. Thrillers like 'Coma,' 'The Hunt for Red October' and 'The Firm' all captivated me by providing glimpses into realms about which I knew very little - medical science, submarine technology and the law.
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Technology sometimes gets a bad rap because of certain consequences that it's had on the environment and unforeseen problems, but we shouldn't use it as an excuse to reject our tools; rather, we should decide that we need to make better tools to solve the problems caused by the initial tools in a progressive wave of innovation.
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I want less and less control with music. Just playing music without any idea of composition or writing.
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When I get an idea I start at once building it up in my imagination. I change the construction, make improvements and operate the device in my mind. It is absolutely immaterial to me whether I run my turbine in my thought or test it in my shop. I even note if it is out of balance.
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I don't want the technology of the 1950s, but I want the free market of the 1950s.
