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Entering a novel is like going on a climb in the mountains: You have to learn the rhythms of respiration - acquire the pace. Otherwise you stop right away.
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Certainly, light fiction exists and encompasses mysteries or second-class romance novels, books that are read on the beach, whose only aim is to entertain. These books are not concerned with style or creativity - instead they are successful because they are repetitive and follow a template that readers enjoy.
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I think a book should be judged 10 years later, after reading and re-reading it.
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A dream is a scripture, and many scriptures are nothing but dreams.
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If somebody writes a book and doesn't care for the survival of that book, he's an imbecile.
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There are books on our shelves we haven't read and doubtless never will, that each of us has probably put to one side in the belief that we will read them later on, perhaps even in another life.
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We invented the car, and it made it easier for us to crash and die. If I gave a car to my grandfather, he would die in five minutes, while I have grown up slowly to accept speed.
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You don't fall in love because you fall in love; you fall in love because of the need, desperate, to fall in love. when you feel that need, you have to watch your step: like having drunk a philter, the kind that makes you fall in love with the first thing you meet. It could be a duck-billed platypus.
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How does a person feel when looking at the sky? He thinks that he doesn't have enough tongues to describe what he sees. Nevertheless, people have never stopping describing the sky, simply listing what they see.
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My father was an accountant and his father was a typographer.
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A sign is not only something which stands for something else; it is also something that can and must be interpreted. The criterion of interpretability allows us to start from a given sign to cover, step by step, the whole universe of semiosis.
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A book is a fragile creature, it suffers the wear of time, it fears rodents, the elements and clumsy hands. so the librarian protects the books not only against mankind but also against nature and devotes his life to this war with the forces of oblivion.
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Beauty is boring because it is predictable.
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Thus I rediscovered what writers have always known (and have told us again and again): books always speak of other books, and every story tells a story that has already been told.
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Does the novel have to deepen the psychology of its heroes? Certainly the modern novel does, but the ancient legends did not do the same. Oedipus' psychology was deduced by Aeschylus or Freud, but the character is simply there, fixed in a pure and terribly disquieting state.
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The real hero is always a hero by mistake; he dreams of being an honest coward like everybody else.
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Many people who no longer go to church end up falling prey to superstition.
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With all of its defects, the global market makes war less likely, even between the U.S.A. and China.
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You die, but most of what you have accumulated will not be lost; you are leaving a message in a bottle.
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Perhaps the mission of those who love mankind is to make people laugh at the truth, to make truth laugh, because the only truth lies in learning to free ourselves from insane passion for the truth.
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"You cannot believe what you are saying." "Well, no. Hardly ever. But the philosopher is like the poet. The latter composes ideal letters for an ideal nymph, only to plumb with his words the depths of passion. The philosopher tests the coldness of his gaze, to see how far he can undermine the fortress of bigotry."
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The United States needed a civil war to unite properly.
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History is rich with adventurous men, long on charisma, with a highly developed instinct for their own interests, who have pursued personal power - bypassing parliaments and constitutions, distributing favours to their minions, and conflating their own desires with the interests of the community.
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Sometimes you say things with a smile with the precise intention of making it clear that you are not being serious, and are only kidding. If I salute a friend with a smile and say, 'How are you, you old scoundrel!' clearly I don't really mean he's a scoundrel.