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I still play the fiddle every day. I'm afraid if I don't, it won't know who I am.
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I wasn't really an old-time breakdown fiddler.
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The magic, that's what keeps you playing. That's what never wears off.
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I tell my audiences today that I served 10 years in Nashville! That's a joke, of course; I was grateful for the work. Bob Ferguson, who produced Connie Smith, Porter Wagoner and Dolly Parton, started calling me in.
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I go stay a week in these little towns that don't have an art outlet and... go to the schools and play some of the old Texas music, sort of 'go through the Texas country roots' is what they call it.
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I keep a fiddle hooked up in the music - we've got a music room - and try to pick it up.
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I grew up listening to the Light Crust Doughboys on WBAP.
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It's just a real thrill when you're showing somebody a chord progression or something, and you see that light come on, you know. You see 'em 'get it.'