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I just adored 'Shaun Of The Dead.' That's a true mashup. That's a real Romero-era zombie movie and a real Gen X indie comedy. That was before zombie movies were cool, before 'Zombieland' and 'I Am Legend,' and now it has become a whole sub-genre.
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People look at Marvel movies as epic in scope, but if you look back at the comics, you realise that Marvel heroes were often a reaction to the square-jawed DC characters like Superman, who were flawless and beyond reproach.
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I don't know that a movie like 'Daredevil' did better for having Ben Affleck then 'Spider-Man' did having Tobey Maguire, who was a relative unknown at the time.
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I think the bigger the movie is, the harder it is to maintain the idea of an auteur. You're servicing something beyond just your own vision. Whenever there's a lot of money on the line, it is your responsibility to make sure that you're doing your best to have people not lose their money and to actually win by betting on it.
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Acting is the most fun. I like to do it and it's great that I can still do that, but you know, you don't really have a lot of control over things, so it's real hit or miss.
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I love 'Star Wars,' you know, and I can't remember the last story meeting I've been in where 'Star Wars' wasn't referenced. It's so perfect in so many ways.
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When Iron Man's flying, we'd send real planes up to do the choreography so that we'd get the camerawork to really look like a cameraman was following from another plane. It gives it that 'Top Gun' look.
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You show people playing poker or hacking into a computer; it feels so significant in the script, and then when you see it on the screen, it loses something. But there's something about cooking - food being prepared is incredibly captivating. It became just a fun box of tools to use as a director.
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You have to find something that you have to obsess over if you're making a movie about it. As a director, you have to be able to pick something that excites you enough that you can breathe it every day.
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Especially in the food business, critics take very seriously how much power they have. They can shut a restaurant down.
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Unfortunately, we are not painters and authors, where we can do something in isolation. We require a lot of money to create what we create. It's almost like being an architect: You can't be an architect and build whatever buildings you want to.
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It's great to be able to connect parents with children both emotionally and through humor. I look forward to exploring family entertainment once again and examining the specifics of our day-to-day lives against the backdrop of an extraordinary adventure.
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I remember watching the 'Iron Man' cartoons when I was younger. I remember reading the origin stories and some of the Silver Age stuff, and I read 'The Avengers' - 'The Defenders' and then 'The Avengers' - and that sort of brought me into 'Iron Man.'
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If you're going to be an R already, you may as well be 'The Hangover,' and you may as well be as shocking as possible, because that's what delivers the most return.
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I'm of a generation of director that came up understanding special effects.
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A thoughtful piece of criticism by somebody who understands the context of what you are doing is a tremendous gift and honor to read, even if they don't completely embrace your work.
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If you look at the mythology of aliens, there's a lot about gold. It's about them coming for gold; whether that's a simplification or not. If you think of 'Chariot of the Gods,' there's this reoccurring theme of gold.
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Once you buy into a television show, there doesn't have to be resolution from week to week. You can develop characters and storylines and react to the audience, so you get more of a serialized version of storytelling where you can go much deeper into each character. It's more like a novel.
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I don't think I'm egotistical as much as I'm taking responsibility for what I'm putting out there.
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I know that when I watch TV, I want to be transformed and transported, not just by the characters that I grow to love over the hours and seasons of watching but also the world that it plants me into.
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Christopher Nolan's 'Batman Begins' set the bar very high for the superhero movie, as it showed that you could get a great cast for these movies and take a real filmmaker's perspective.
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There is no free lunch, so if you're playing with the big train set - on big movies - it's a lot of money they're entrusting you with, and you have to get that money back for them. I don't take that responsibility lightly.
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I think 'Chef' is about somebody who's in the middle of his life, and he's kind of lost his passion and his voice, so he seeks out some refinement and redemption.
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David Anspaugh, who was my first director, on 'Rudy,' was all about empowering the actor, making you feel comfortable and appreciated, allowing you to keep your dignity, and treating you like a man. Being treated like a grown-up makes you proud to be involved in a film.