George Horace Lorimer Quotes
The more I deal in it, the surer I am that human nature is all of the same critter, but that there's a heap of choice in the cuts.
Quotes to Explore
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I believe that we must maintain pride in the knowledge that the actions we take, based on our own decisions and choices as individuals, link directly to the magnificent challenge of transforming human history.
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In so far as the government lands can be disposed of, I am in favor of cutting up the wild lands into parcels so that every poor man may have a home.
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What Obamacare does is decreases choices and drives up cost.
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Many of us who have cars have felt some form of extreme anger at other drivers because we feel they have put us in harm's way. We might even envision ramming their cars or cutting them off in return, but do we actually do it? No, because the overwhelming majority of us never want to take another human life.
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I've had an addiction for a long time to the whole business of maximizing one's potential, what I call human activation. The vehicle for actualizing oneself is choice, options, seeking out the proper choices.
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The billion billion paths of his life lay open before him, waiting for his first choices, for the first changes in the world around him to eliminate a million futures every second.
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In the real world, answers may not be clear cut. There will be messy choices, and you're not going to be able to construct a policy response in a neat and tidy way. Being able to listen to other people, even as you stay true to your principles, that's how you actually succeed.
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Hiring people is like making friends. Pick good ones, and they'll enrich your life. Make bad choices, and they'll bring you down.
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The problem with digital architecture is that an algorithm can produce endless variations, so an architect has many choices.
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You really want to keep ringing the changes - you hope that your work and your choices make people excited about where you're going next and that that might be somewhere unexpected.
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The 'Star Wars' universe is full of technological and cutting-edge effects, which Base FX will be a wonderful partner to create with.
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I've been around the world and I've had bras made in different places, and each time I'm experiencing the same troubles: the painful shoulders, the underwire cutting into my flesh.
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There's a catharsis in cutting down trees. But there's absolutely none of that in picking cotton. It's maddening! It's fiddly, and it pricks your fingers, and it's something that's a very hard skill if you have no alacrity for it.
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I was a total floral hippie as a child so when I finally could make my own choices, I've been living in different black suit jackets and been really drawn to masculine clothes.
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The choices that we make aren't always perfect but it's ok... It's part of the journey.
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Music can be useful during training to help get you psyched, and I still listen to music on easy climbs or in the gym. But during cutting-edge solos or really hard climbs, I unplug. There shouldn't be a need for extra motivation on big days, be it music or anything else. It should come from within.
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The reason why Hollywood cranks out so many sequels and adaptations is because the audience is so overwhelmed with choices, the only way to get them in the theater is to give them something familiar.
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Our sartorial choices aren't that different from our psyches.
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I thought I had to be perfect. I would often make choices I thought would make everyone else happy. I lived at a pace that was "good for my career," whether it was good for me or not. I have learned how important it is to check in with myself and listen, really listen.
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I love swimming in the darker seas, so even if I play a noble guy (well, like Lincoln for instance) I am pre-disposed to try and show the conflict; the regret; the less-than-perfect choices that any human faces. That's what I like and it seems to be what the camera likes to see me do.
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I have ideas saved on my computer that I visit from time to time to see if one may shine and motivate me.
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Gossip is a very dangerous tool. We should be more wary of the gossiper, and not the gossip they're trying to relay to you.
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The studios mostly threw away the negatives of the classic films. They had no interest in their legacy.
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The more I deal in it, the surer I am that human nature is all of the same critter, but that there's a heap of choice in the cuts.
