Jonathan Glazer Quotes
Quotes to Explore
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America tends to worship the modest talent because it doesn't put us in an uncomfortable position vis-a-vis the artist.
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Sometimes you read pilots and, understandably, they're doing such a frantic tap dance for approval. I get why - it's such an incredibly competitive market.
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There's nothing more interesting than the landscape of the human face.
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As I moved to less and less diverse places in my life, I realized that white people don't talk about race amongst themselves!
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The nature and the DNA of IMAX has been redefined in the past years to shoot these huge blockbusters. But I think that it's not the sole purpose of IMAX to capture cars exploding in your face.
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The cast of 'Lemonade Mouth' was picked so perfectly. A lot of people see us as a band on camera, but not a lot of people know that Lemonade Mouth was a band off-camera, too.
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Looking up and out, how can we not respect this ever-vigilant cognizance that distinguishes us: the capability to envision, to dream, and to invent? the ability to ponder ourselves? and be aware of our existence on the outer arm of a spiral galaxy in an immeasurable ocean of stars? Cognizance is our crest.
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I love 'Husbands and Wives,' Woody Allen's movie. It's like one of my all-time favorites. I could watch it over and over again.
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Self-doubt kills talent.
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We must stop the trend of closing schools and building prisons.
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It's been tough for me being away from the game.
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I write almost entirely in bed or on a couch with my feet up on the coffee table. I feel most creative when I'm looking out the window, and my bed and couch have nice views of the New York skyline.
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Death will never be pretty - its sights and smells too close and crude. And it will never come under our control: it gallops where we tiptoe, rips up our routines, burns our very breath with its heat and sting.
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Television shows and movies that are all white, I can't watch them. They totally alienate me.
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I've spent most of my mature life trying to prove that I'm not irresponsible.
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When I was first exposed to the films of Ingmar Bergman, I found them frank and disturbing portraits of the world we live in, but that was not something that displeased me. They were beautiful. I thought people would respond to my plays the way I responded to Bergman's films.
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Any one who wants to live in peace and freedom will be to live by toil, demonstration of high levels of discipline and tolerance for one another.
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I have had four happy days in my life, and three of them turned out to be illusions.
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When I first started out in the industry, I was 12 or whatever, and I wanted to be on something so bad, and I didn't know what I was going to be on. At the time, I was in school, and I was working on drama and theatrical stuff, so I never thought that I'd end up going to comedy.
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I was born in Edinburgh, in Scotland, a few days after the end of the Second World War. Both my parents had left school at a very young age, unwillingly in my father's case. Yet both had deep effects on my education, my father influencing me toward measurement and mathematics, and my mother toward writing and history.
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Reading can be just feeding, but smart reading takes us further. The classroom is one way to go deeper, but we can't stay in school forever.
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It is incontestable and deplorable that Negroes have committed crimes; but they are derivative crimes. They are born of the greater crimes of the white society.
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You know the actor John Garfield? In one movie he walked up to this train station, the ticket booth, and the guy says, 'Yes, where are you going?' And he says, 'I want a ticket to nowhere.' I thought: that's it. The freedom to do that. I want a ticket to nowhere.
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I'm Jewish. Went to a Jewish school.
