Damon Lindelof Quotes
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When someone says something in an interview, the beauty of Twitter is that it's a platform for instantaneous response.
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The fun thing about doing origin stories is you are introducing the audience to characters.
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I saw myself as a teacher's pet but with a little of Ed Haskell mixed in. I was the teacher's pet, but that didn't mean that I was trying to pull one over.
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I believe that this idea of story or myth or this thing that Joseph Campbell writes about is sort of an inter-connective spiritual force - like The Force in 'Star Wars' - where it doesn't matter where you were raised, or what your background is, there are certain elements of story that totally appeal to you.
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I was born in 1973, so I did not see 'Alien' when it was released theatrically. I saw 'Alien' when it was on Home Box Office. I think I was probably 10.
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As cliched as it sounds, if you have an original voice and an original idea, then no matter what anybody says, you have to find a way to tell that story.
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I don't think anybody wants to see a dour 'Star Trek' movie.
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I've always believed that a good twist is one that, when it is presented to the audience, half of them say, 'I saw that coming.' And half of them are completely and totally shocked. Because if you don't have the half that saw it coming, then it wasn't fair: You never gave the audience a chance to guess it.
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I love finding new creative partnerships but then continuing the partnerships I'm already in.
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'Star Wars' is a galaxy a long time ago, far, far away. 'Star Wars' is not about our future.
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From my own internal fanboy perspective, there's nothing that I hate more than seeing a three minute trailer for a movie where I feel like it's shown me the entire movie.
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I always remember liking school.
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I'll never be immune to criticism, and that's okay, and I'm very comfortable with that.
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All great sci-fi is: Be careful what you wish for.
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When I saw 'Blade Runner,' my understanding was that 'Blade Runner' and 'Alien' were sequels to each other - or they were related. They were set in the same world.
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The interpretive element of 'Lost' - the fact that you immediately need, as soon as the episode is over, to seek out a community of people to express your own thoughts about it, understand what they thought about it and form an opinion - that's the bread and butter of the show.
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I have found, unfortunately, that if I take on too many projects at one time, there is a higher probability of those projects sucking.
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I would say that my fatal flaw, as a human being, is that I need people to like me, and if they don't like me, I will obsess over it - and try to change my personality until they like me - even if they don't like me for reasons that have nothing to do with me, and even if they're strangers.
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I've always been fascinated by Disneyland and Disney World, and my favorite part of the park was always Tomorrowland.
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We all look at ourselves in the mirror and think, 'Am I good?'
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When someone says something that really hurts me, I have to retweet it to let it go.
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Good twists are enormously hard to come by, and I think the best ones are earned ones. The idea that a story can take a left turn on you, it's easy to do, but it has to be done very, very carefully, or else you risk losing the audience's trust.
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My father - until the day that my dad died - didn't know how many points you scored in a touchdown. He could say there were nine innings in baseball, but no intricacies of the sport.
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A lot of writers whom I love, admire and call friends share this feeling, which is this fundamental idea that we're frauds. That we will be pushed out on to the stage, and it will be revealed that the emperor has no clothes.