Jose Clemente Orozco Quotes
In every painting, as in any other work of art, there is always an IDEA, never a STORY. The idea is the point of departure, the first cause of the plastic construction, and it is always present all the time as energy creating matter. The stories and other literary associations exist only in the mind of the spectator, the painting acting as the stimulus.
Quotes to Explore
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The first thing one must remember about film is that it is a young medium. And it is essential for every responsible artist to cultivate the ground that has been left fallow.
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There aren't traditions of freedom in a place like Iraq. They're going to have to come to grips with a concept that they hadn't been allowed to conceive before.
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My dad always said that hard work beats talent when talent doesn't work hard enough.
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Without vanity, without coquetry, without curiosity, in a word, without the fall, woman would not be woman. Much of her grace is in her frailty.
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I've thought for a long time that my body type would have worked well in the '70s. The idea that you could be a broad-shouldered, small-breasted woman and still wear really great outfits.
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If you write a novel alone you sit and you weave a little narrative. And it's O.K., but it's of no account.
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In all the areas within which the spiritual life of humanity is at work, the historical epoch wherein fate has placed us is an epoch of stupendous happenings.
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We have to look after the health of the players. Quality suffers with too many games.
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He's this amazing ambassador for all superheroes. What we've made as a film not only examines that but is also an amazing adventure story. It's been an honor to work on. As a comic book fan, Superman is like the Rosetta Stone of all superheroes.
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Pregnancy isn't 'I can eat whatever I want,' because you have to remember you're going to be stuck with a lot of that weight afterwards that you need to try to get off.
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Within a lot of African-American households, I think, there's an idea that black men don't want to take an active participation in the lives of their children. That if they do, there has to be some sort of ulterior motive.
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I think my characters with my fingers, I think my characters with my guts. But when I say I think them, that is what I do, I feel them with the sympathetic neurons and I work out with my brain what it is that I am trying to write about, or I can't do it.
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When I first got to L.A., I thought every person in a limo was a star.
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It's far better to buy a wonderful company at a fair price than a fair company at a wonderful price.
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I personally approve all the shoes that go into production, and I have a level of involvement with the factories that other people don't have.
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The gifts of nature are infinite in their variety, and mind differs from mind almost as much as body from body.
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Probably, no nation is rich enough to pay for both war and civilization. We must make our choice; we cannot have both.
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I'll put my progressive credentials up against anyone's.
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From inside where I live, I feel like I just perceive events in a certain rational way. I often find it sad or poignant, and it may not make me laugh a bit. But I don't mind inventing a portrait that allows others to laugh if that's what they want to do.
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I don't think there are huge divergences between my personality and what they see on TV. And I think that's why I have been gainfully employed doing this. I'll always deliver what an employer wants.
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In every painting, as in any other work of art, there is always an IDEA, never a STORY. The idea is the point of departure, the first cause of the plastic construction, and it is always present all the time as energy creating matter. The stories and other literary associations exist only in the mind of the spectator, the painting acting as the stimulus.
