Josefina Vazquez Mota Quotes
Little girls are taught to be dependent, incapable of valuing themselves in many aspects of their daily lives.
Quotes to Explore
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'Frontline' started doing digital content in 1995. We started streaming our films in 2000.
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When you watch it, you're like, Wow. I look like that. But it doesn't feel like that at all. It was about communicating with Gale Harold and getting across what I wanted to say about the character.
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Unlike the objective of far too many companies, manufacturing is not about a quick 'exit.' It is centered on long-term value creation.
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I've always found that no matter how much you spend on a movie - you can spend sixty dollars or sixty million dollars - if the movie's good, it's good.
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I've never been that comfortable talking about myself or about acting.
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After the atomic bombs were dropped, the war ended and we went into Tokyo Bay with the rest of the fleet, the Missouri and the rest of them, while they signed the terms of surrender that ended the war.
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I've got spider veins all over my legs, so I wear opaque tights all winter. All sorts of colours.
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I believe that life is a journey towards God, and that no one has the right to insist that you go a certain road.
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There's no second chance on stage, and I was trained to make the most of my first chance.
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While I was serving in the Florida Senate, American soldiers were being killed in Iraq, a war we should have never started, and often by Iranian proxies and their improvised explosive devices.
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Truth is stranger than nonfiction. And life is too interesting to be left to journalists. People have stories, but journalists have 'takes,' and it's their takes that usually win out when the stories are too complicated or, as happens, not complicated enough.
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I'm here today because I refused to be unhappy. I took a chance.
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When I admitted I needed to grow old as a woman, it was a relief.
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I am always the 'good guy', and I take on the idiotic jerks of the nation.
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I've always had a problem with conventional punctuation of dialogue because it does seem to me to set it off too much from the narrative. I mean, in life, things don't stop while somebody says something, and then stuff starts up again; it's all happening at once.
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At the simplest level, economics can better show us the consequences of our actions. Less simple are cases in which we don't have the knowledge to predict the full consequences. Global warming and climate change are examples.
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If you don't want to work you have to work to earn enough money so that you won't have to work.
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I must say that it's easy to write nice things about Chicago because it's that kind of town.
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So, I think I'd be grateful for the next job. I always am. And I always consider everything I do to be the last thing I do.
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There are some very similar moments in the early work where the focus was on drawing, abstraction and fragmentation. Then it moved to the development of ideas. Lately it has become what architecture should be, which is more fluid organization. There has not been so much 'a change' but 'a development'.
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I've found that when you roll up your sleeves and join people in their daily work, they tend to open up quite a bit and let you know what they really think about the issues facing our country and what kind of job they think the government is doing.
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In daily life, I'm not a heavy user anyway, but I'm extra careful online because of the kids who look up to me. That's the fun part of being an actor - that kids like you - because they are very pure and transparent in their likes and dislikes. There's no filter like the ones on Instagram.
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Little girls are taught to be dependent, incapable of valuing themselves in many aspects of their daily lives.
