Petrarch (Francesco Petrarca) Quotes
Quotes to Explore
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I think that in Mexico, we must change some practices that were built during the 72 years of predominance in Mexico. Former presidents would just hide away, run away or disappear. And I think it's key in a democracy that presidents face people, see eye to eye to citizens and work to keep on contributing to the - to Mexico.
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The incredible cinematography makes 'A Walk to Beautiful' almost like a poem; there is a tenderness on display that seems to emanate from the camera. There is also great sensitivity to the women whose stories are being told - never did I have a sense of the subjects being exploited.
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Her body calculated to a millimeter to suggest a bud yet guarantee a flower.
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Attack politics costs us dearly in terms of insight into the candidates. In a presidential campaign, the focus is so tight that the politicians are afraid to say anything that hasn't been scripted.
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I think it's highly likely that we'll continue to have high-performance graphics capability in living rooms. I'm not sure we're all going to put down our game controllers and pick up touch screens - which is a reasonable view, I'm just not sure I buy into it.
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Beauty is truth's smile when she beholds her own face in a perfect mirror.
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English people ... never speak, excepting in cases of fire or murder, unless they are introduced.
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Yes, I was a hippy - absolutely a hippy.
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I was always a little bit afraid because I found out at a very early age that once you make a record, all the mistakes and all the good things are there for eternity.
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Perhaps our imagination needs crime stories to fulfill some craving we have, as a way to assuage a darkness in ourselves.
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There was no indication of panic. The broken files marched back in steady step. The effort was nobly made and failed from the blows that could not be fended.
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The three great moments of my life had to be the concerts of Ellington in 1938, Dizzy in '48, and Ella in '52.
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I just wanted to be an actress. It never occurred to me that I could become famous, because I'm not one of those people who's automatically going to be the lead. I always saw myself as the mate.
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Lear, Macbeth. Mercutio – they live on their own as it were. The newspapers are full of them, if we were only the Shakespeares to see it. Have you ever been in a Police Court? Have you ever watched tradesmen behind their counters? My soul, the secrets walking in the streets! You jostle them at every corner. There's a Polonius in every first-class railway carriage, and as many Juliets as there are boarding-schools. ... How inexhaustibly rich everything is, if you only stick to life.
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Even a low-budget film costs way more money than a high-priced record. So, it's mo' money, mo' problems. When you have more money, it just creates more people trying to get involved and you have more trouble.
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I don't hide anything about my life, I talk about everything. I talk about it - all kinds of things. I've done songs about bad experiences, a couple about growing up in the ghetto and being abused, sexually. Being raped. And I talk about it.
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I don't believe in the art-for-art's-sake philosophy. With the raw material before me and the gifts within me, I did my best to celebrate the voices and intelligence and sweetness and dreams of the children in spite of their chaotic, outer worlds.
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The vulgarity of inanimate things requires time to get accustomed to; but living, breathing, bustling, plotting, planning, human vulgarity is a species of moral ipecacuanha, enough to destroy any comfort.
