Paul Desmond Quotes
Milton, of all people, gave the most perfect definition of the state of mind required to play jazz: ' with wanton heed and giddy cunning.' That's how you play jazz.
Quotes to Explore
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To get a film in Cannes is a real honor. To have it play and not get booed is a real relief.
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I'm not coming back to play.
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That's the joy of getting to be an actor - getting to play all kinds of different roles and showing so many different sides of yourself.
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My dream part would be to play Mitt Romney's sarcastic black maid. We could call it 'Mammy & Me.'
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I had aches and pains when I played. No player is ever 100 percent, 80 percent, 85 percent. Guys that play 158 or 162 or 145, we are all in the same boat.
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I'm from New Orleans. There's a lot of vampire mystique and mythology that resonates there, and I was fascinated by it. I always wanted to play one.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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I've done all different kinds of genres - doo-wop, pop, funk, gospel, country, jazz, you name it.
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It took me a lot of years on the 'Burnett' show to feel like I had earned the privilege to play in the sandbox with the grown-ups.
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Too many jazz pianists limit themselves to a personal style, a trademark, so to speak. They confine themselves to one type of playing.
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The debt we owe to the play of imagination is incalculable.
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I've been a massive obsessive about jazz singers all my life.
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I'm drawn to projects where I play these really complicated characters, but also where I can have some type of influence on affecting what we see as societal norms.
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Reality is how we interpret it. Imagination and volition play a part in that interpretation. Which means that all reality is to some extent a fiction.
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I love Jet Li, but he looks very Chinese, and his English is Chinese-accented. He wouldn't have been the right guy to play a Japanese-American.
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You feel this pressure that people will take you more seriously if you play guitar, but I've decided I'm a singer and that's enough.
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I've always refused to play terrorists.
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I wrote my first play when I was eight.
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Experience without theory is blind, but theory without experience is mere intellectual play.
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After ten or twelve years you can only play something so long and then you start to parody it.
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Fame creeps up on you.
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Some people assume I'm a spoilt trust fund kid who's never had to work for anything, while others think the best of me because of the good experience they had with my grandfather. It's difficult to digest the fact that they may never see me for who I am.
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I come from a world where you get the film done, that's a success.
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Milton, of all people, gave the most perfect definition of the state of mind required to play jazz: ' with wanton heed and giddy cunning.' That's how you play jazz.
