Paul Dini Quotes
I'm not saying I talk to cartoon characters all the time, but the characters are very real to me. In a very non-insane way.
Quotes to Explore
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A failure is not always a mistake, it may simply be the best one can do under the circumstances. The real mistake is to stop trying.
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Every Yom Kippur, Jewish tradition requires a strict spiritual inventory. You aren't supposed to just sit around feeling guilty, but to take action in the real world to set things right.
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Red Interactive, the digital advertising agency, is a real, systemic kind of business, as opposed to a one-off thing. We can help advertisers frustrated by old media find clients they can work with.
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I think at Le Cirque I learned how to make real food, which is what people crave, not just gimmicky things on a plate.
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I thought I was an old soul, and that I knew life, but then starting the real life, I figured I am completely new.
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So my thing is we want come in and diffuse anything that's not real, anything that doesn't associate with real hip-hop. We want to be the one that says, 'Yo, we want to help build and build a bigger and better industry.' I'm just like, 'Yo, with talent from Toronto, Vancouver, Quebec. Who's paying attention?'
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Another random thing I do is the search for extraterrestrial intelligence, or SETI. And you may be familiar with the movie 'Contact,' which sort of popularized that. It turns out there are real people who go out and search for extraterrestrials in a very scientific way.
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All I'm ever looking for in my work in general is honesty and truth and people being real to themselves.
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I know the joy of skating on a clear cold day. I know the joy of getting off a perfect drive in golf. I know the delight of a fine meal after a long walk. These are real and wholesome, but all of them put together can not approach the thrill of ridding yourself of fear!
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I don't really like the idea of putting myself in any category now... I think that people are looking for music that's real and honest and that they can relate to emotionally.
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There are a lot of distractions when you're in creative industries like publishing or fashion or media, and it's a real blessing to have witnessed some of those up close at a young age. I think when you get past the glamour, that's when you get to the good stuff - the stuff that really feeds your soul and enriches you as a person.
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In real life, I'm the type of girl who doesn't take herself too seriously. I'm very serious when it comes to work, but I like to make jokes and have a good laugh and make fun of myself.
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I'm sellin this shit, I ain't tellin this shit, I'm a mutha fuckin 2-time felon ya bitch From the cold hearted streets of the LBC To a mansion in the south down the street from my nigga P See, real niggas recognize the realness Put ya muthafuckin' choppers up if ya feel this.
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We live in a time where there's an alienation factor. There's a certain disconnection. We don't have any real sense of community anymore.
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The great thing about Showtime is that they really give us leeway and the range to explore the real dark side of stuff.
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We in the FBI have created a malware repository and analysis tool known as the Binary Analysis Characterization and Storage System, or BACSS, which provides near real-time investigative information. BACSS helps us link malware in different jurisdictions and paint a picture of cyber threats worldwide.
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Ariel got me into animation. She was the first Disney heroine that really felt alive. She felt like a real young woman.
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Whoever knows that the mind is a fiction and devoid of anything real knows that his own mind neither exists nor doesn't exist.
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Where you live matters. Whatever you're doing, there's usually only one place where the top people go. You should go there. Don't settle for anywhere else. Meeting my heroes and learning from them gave me a huge advantage. Your heroes are part of your circle, too - follow them. If the real action is happening somewhere else, move.
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London changes because of money. It's real estate. If they can build some offices or expensive apartments they will, it's money that changes everything in a city.
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In February 1953, I was making a second picture with Jeff Chandler, one called War Arrow. Jeff was a real sweetheart, but acting with him was like acting with a broomstick.
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The release of atomic energy has not created a new problem. It has merely made more urgent the necessity of solving an existing one.
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I was home schooled starting in seventh grade.
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I'm not saying I talk to cartoon characters all the time, but the characters are very real to me. In a very non-insane way.
