Tilda Swinton Quotes
Quotes to Explore
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I think, doing a first film, at some point you get halfway through, and you wonder, 'Is this is good enough to define who I am for the coming decade?'
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There are so many steps you have to go through to reach a high level, so you're kind of building your own, I would say, mountain. You have to go piece by piece by piece. When you're young and really ambitious, you want to jump right up. It kind of teaches you a lesson, I would say.
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Not to sound bad, but some girls are dumb. It's because they spend so much of their life trying to have the right look. On the other hand, some girls are just really smart. There are girls you can have conversations with that are healthy conversations. You can argue real life issues and solve problems together. That is what makes a woman sexy.
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There's something about live players that you cannot get with machines: With live musicians, you can strike a groove, you can feed off each other... And, even though somebody might make a slight mistake, it's all real!
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The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room.
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My whole thing is to entertain, make people laugh and to forget about the real world for awhile.
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I'm loyal. I'm real. I'm not afraid to say what I'm thinking.
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We need the world to respect us. They consume a lot of hits and just act like it wasn't... I ain't never seen nobody make these many hits and not get notified for it. And change the game like we did and bring the flow to the game the way we did and not get noticed for it, like the the big way - the real system way.
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It's a really weird thing, modern divorce. I found out I was getting divorced on television. That was kind of weird.
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I don't want to forgive myself. That's why I hate psychoanalysis I think if you're guilty of something you should live with it. Get rid of it - how can you get rid of a real guilt? I think people should live with it, face up to it.
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A failure is not always a mistake, it may simply be the best one can do under the circumstances. The real mistake is to stop trying.
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One of the biggest mistakes a photographer can make is to look at the real world and cling to the vain hope that next time his film will somehow bear a closer resemblance to it.
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I'm getting to be a real pro at coming into things midstream and trying to catch up.
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I've only used my own voice about four times on film.
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But the approach to recording this album was kind of an organized, chaotic approach where I wanted to maintain and preserve that wild abandon to creating.
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I think the real problem is that nobody buys albums anymore, so you don't get the depth of the artists that are out today. What you get is whatever they felt is politically correct to get on there and actually make some impact. I think that's where you're losing your depth. You're only getting the very top of everything. It really bothers me.
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My role as Ewan McGregor's girlfriend in the film 'Incendiary' ended up on the cutting-room floor, but at least I had two brilliant days of acting with Ewan.
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J. P. Morgan. He was kind of a douche.
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Of all intellectual friendships, none are so beautiful as those which subsist between old and ripe men and their younger brethren in science or literature or art. It is, by these private friendships, even more than by public performance, that the tradition of sound thinking and great doing is perpetuated from age to age.
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I started second-guessing myself and was always questioning myself. I have really learned a lot.
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I have always found humor in places where humor wasn't necessarily intended.
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I feel like giving back is in my blood.
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To me this world is all one continued vision of fancy or imagination, and I feel flattered when I am told so. What is it sets Homer, Virgil and Milton in so high a rank of art? Why is the Bible more entertaining and instructive than any other book? Is it not because they are addressed to the imagination, which is spiritual sensation, and but immediately to the understanding or reason?
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I think that a real film fan experience is about a kind of omnivorous experience.
