Meredith Ostrom Quotes
At times I ask myself if I shouldnt be living a more regular, stable life with a 9-to-5 job. Then I think about it and realise that there is no point in planning everything.
Quotes to Explore
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I don't mind you thinking I'm stupid, but don't talk to me like I'm stupid.
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I realized what interested me as a student of film was one thing and the movies that I liked were another.
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I'm not one icon. I'm every icon. I'm an icon that is made out of all the colors on the palette at every time. I have no restrictions. No restrictions.
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I need to have proper equipment when I work out, and the Nike Frees are light, comfortable, and great for training. I also usually bring a short-sleeve or long-sleeve compression shirt and a pair of shorts.
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My mother is a fighter. After she battled polio and learned to walk again, the doctors told her she would be a cripple her entire life. Instead of accepting defeat, she refused this fate and went on to become the West African Women's Singles tennis champion in college.
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Well I think that, if you want to look at polarizing people right now, I wouldn't look at Palin, I'd look at Barack Obama.
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Where the work goes, I go. Wherever adulation occurs, that's where you'll find me.
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I am convinced, Yorick, continued my father, half reading and half discoursing, that there is a Northwest Passage to the intellectual world; and that the soul of man has shorter ways of going to work, in furnishing itself with knowledge and instruction, than we generally take with it.
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One of the first courses I ever taught at Dartmouth was on the Bible as literature.
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I just think people have a lot of fiction. But, you know, I mean, the real story of Facebook is just that we've worked so hard for all this time. I mean, the real story is actually probably pretty boring, right? I mean, we just sat at our computers for six years and coded.
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No burden is so heavy for a man to bear as a succession of happy days.
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I'm in professional wrestling, which is what I do for a living. I coordinate stunts. I memorize them.
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I'm a Southern girl.
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When you write a book for publication, you're writing it for other people to read.
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As far as I can tell, 1968 is a year about change, about revolution, about violence, about people turning inwards as community breaks down.
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Besides finding a great place to stay, it's important for me to find at least one cultural destination to visit, other than that, I don't like to plan too much. I like to suss out the situation when I get on the ground and then go!
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Slavery is something that affects all of us. It's all of our history.
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If you walk into a room that's bro'd up, and you're in power, bring more women into the room.
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The best proof of the specificity of the book is that it is at once a reality of the virtual and a virtuality of the real.
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You would not believe some of the scripts I have seen. I have read something like 160 that I've rejected, and I keep them all, for posterity.
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If I start thinking, 'Is this movie going to open? Is this movie going to do well?' I'm not focusing on the job. The job is to make a good movie.
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People first concern themselves with meeting their basic needs; only afterwards, do they pursue any higher needs.
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It is my intention to proceed slowly with our trenches.
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At times I ask myself if I shouldnt be living a more regular, stable life with a 9-to-5 job. Then I think about it and realise that there is no point in planning everything.
