Paul Hirsch Quotes
The sound is the key; audiences will accept visual discontinuity much more easily than they'll accept jumps in the sound. If the track makes sense, you can do almost anything visually.
Quotes to Explore
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It is a profound and necessary truth that the deep things in science are not found because they are useful; they were found because it was possible to find them.
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Historically, the Balkans have been an incubator of war.
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All of the characters in my films, they share one commonality. It doesn't matter whether they are good or bad, it doesn't matter whether they are smart or stupid, these characters all take responsibility for their own behavior. I'm much the same.
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What I do miss that I don't get anymore? You're going to think I'm crazy, but you want the truth, so here it is. The lights! I miss the spotlights. I don't mean it figuratively. I mean it literally. I love the feeling of lights.
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If there's a rift in the marriage - if someone feels neglected, frustrated, tempted by others, or unsure - then trouble can easily arise.
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I wear the national dress because it is the most natural and the most becoming for an Indian.
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I don't sit under the tattoo gun unless I'm sold on it completely and it will define me as a person.
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I sort of always had an inkling towards some kind of an art form. I grew up in a very small town, and I just figure-skated. My dad played hockey and I was surrounded by sports, but it wasn't quite doing it for me. I wasn't totally fulfilled, and I did a lot of skating.
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It's been such a group effort. When you're a new band and you have limited resources, you end up getting people that are there because they love what you do, and that's great.
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You've got to be realistic.
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Horses know how to be loyal but still keep their distance.
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My first time to Rome was when I was backpacking with my best friend around Europe for a month at 18 years old, so I remember that excitement of being away from home properly for the first time.
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Generally speaking, if a human being never shows anger, then I think something's wrong. He's not right in the brain.
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As a model, I am at the mercy of everybody else. It's much more of a situation where I go to work, put the clothes on, get in front of the camera, and then go home. But in that process, I never really have control over any of it.
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I happen to be extremely left-brained; my instinct is to draw a chart rather than a picture.
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I don't view my memory as accurate or static - and, in autobiographical fiction, my focus is still on creating an effect, not on documenting reality - so 'autobiographical,' to me, is closer in meaning to 'fiction' than 'autobiography.'
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It's the equivalent of putting on the brakes suddenly while driving uphill.
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Any legitimate religion consists of rules of morality linked by love. That's it.
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You're supposed to trust friends. You have no reason to be his friend? That is part of the pleasure of friendship: trusting without absolute evidence and then being rewarded for that trust.
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I'm very happy to hear that my work inspires writers and painters. It's the most beautiful compliment, the greatest reward. Art should always be an exchange.
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The motivation is important for me to act it, but I don't necessarily want the audience to know my motivation.
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They're reacting and that's wonderful. It's better than them sitting there doing nothing. I say make them react - do whatever's in your power to move the audience, and if that's where it is, and there where it is with America, sex and violence, then I say project it.
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The sound is the key; audiences will accept visual discontinuity much more easily than they'll accept jumps in the sound. If the track makes sense, you can do almost anything visually.
