Joshua Foer Quotes
Quotes to Explore
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Oh that's what he left? Let his mama pick it up. Might back up on it, VROOM VROOM wit the pick-up truck.
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MMI brothers were very resistant to women such as Lynn Shiflet and others who emerged as leaders within the OAAU, so one of the tensions that occurred was around gender equality and gender leadership inside of Malcolm's X entourage.
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Don't rule out working with your hands. It does not preclude using your head.
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Spirit is matter seen in a stronger light.
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Rumors about me? Calista Flockhart, Pam Anderson, and Matt Damon. That's who I'm dating.
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In fact, corporate and union moneys go overwhelmingly to incumbents, so limiting that money, as Congress did in the campaign finance law, may be the single most self-denying thing that Congress has ever done.
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[Texas is] the place where there are the most cows and the least milk and the most rivers and the least water in them, and where you can look the farthest to see the least.
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You know something is wrong when the government declares opening someone else's mail is a felony but your internet activity is fair game for data collecting.
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Journalism, as concerns collecting information, differs little if at all from intelligence work. In my judgment, a journalist's job is very interesting.
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The idea is there locked inside. All you have to do is remove the excess stone.
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What tale do you like best to hear?' 'Oh, I have not much choice! They generally run on the same theme - courtship; and promise to end in the same catastrophe - marriage.
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He is called the horse.
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I am not chocolate and definitely not a boy. I am a man, and I have no clue how this image has stuck to me despite all these years. I think, maybe, in spite of trying to shell off my chocolate boy image, love stories excite me, and somehow I land up in such roles.
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In America the government took the land from the Indians and then established laws protecting private property.
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What one skill, if you developed it, could have the greatest positive impact on your career? This is the key to your future.
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There is no time for cut-and-dried monotony. There is time for work. And time for love. That leaves no other time!
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It happens that the stage sets collapse. Rising, streetcar, four hours in the office or the factory, meal, streetcar, four hours of work, meal, sleep, and Monday Tuesday Wednesday Thursday Friday and Saturday according to the same rhythm – this path is easily followed most of the time. But one day the “why” arises and everything begins in that weariness tinged with amazement.
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It belongs to every large nature, when it is not under the immediate power of some strong unquestioning emotion, to suspect itself, and doubt the truth of its own impressions, conscious of possibilities beyond its own horizon.