Joshua Henry (Joshua Anthony Charlton Henry) Quotes
I like directors who come ready to challenge you to ask the right questions about your character, and I know that directors appreciate that in actors as well.
Quotes to Explore
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The American Dream I believe in is one that provides anyone willing to work hard enough with the opportunity to succeed.
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I am confined to the Lego palate. I don't paint the bricks. I stick with what Lego has made. And the idea behind that is I do want to hopefully inspire kids to go home and create on their own. And if I do, I want them to be able to buy those very same bricks I use. So I don't alter the bricks; I just use what's provided.
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I believe the answers to most problems that confront us around the world can and should be approached by engaging both friend and foe in dialogue. No, I don't naively think that dialogue always works, but I believe we should avoid the rigidity of saying that dialogue never works.
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When I was little, we had a Golden Book that had all these Disney characters in one portrait on the first page. My dad used to read from it every night. We'd play this game of find Pluto or find Donald Duck. He'd read us stories and do all the voices. Those are great memories.
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I'd been touring for so long, seven years. For a year and a half I'd just been curious about what it was like not to tour. It's like if you were to lift a 100-pound barbell with your right arm for seven years, eventually you'd get really curious about what your left arm was capable of.
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I know my fans want me on the screen. But I think hero-worship should not be allowed to corrupt the plot and narrative of a film.
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The fact that we're living in a country where 90 percent of the people want further gun laws - to maybe somehow put a dent in some of this insanity that's happening - and yet there's no further legislation taking place, it's very frustrating and upsetting.
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Since every man desires happiness, it is evidently no small matter whether he conceives of happiness in terms of work or of enjoyment.
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Pure phenomenology claims to be the science of pure phenomena. This concept of the phenomenon, which was developed under various names as early as the eighteenth century without being clarified, is what we shall have to deal with first of all.
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Obviously, I love country music, so I wanna be able to live in the country music genre and then play to country music fans.
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The value of a dollar is social, as it is created by society.
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I remember a big meeting with the hosiery trade in Harold's ministerial room.
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Any of these Vietnam vets that have been there and know the deal, they don't feel that any Hollywood endeavor about the Vietnam era has ever gotten it right yet.
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Not to discriminate every moment some passionate attitude in those about us, and in the very brilliancy of their gifts some tragic dividing on their ways, is, on this short day of frost and sun, to sleep before evening.
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Every actor who has done an action film has a little tiny scar somewhere from that.
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I had a dream of music and art and the big city in which I would get lost, where no one would know me and I wouldn't know anyone, where I would work at some ordinary job, and if one day I got up in the morning and decided I wasn't going to go to work anymore, no one would ask questions.
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This is why fiction is an art, and life is not - how much more affecting is the lie than the truth.
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Pollution is nothing but the resources we are not harvesting. We allow them to disperse because we've been ignorant of their value.
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The Muslim world is threatened by religious fanaticism. The Western world is threatened by secular fanaticism.
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I want to be ambassador-like. I want to, you know, set examples, especially as a young black female. That, I think, is important, and I just want to be a bit of an example, you know.
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And he said that he wrote the Bond character based on the character of David Niven. That's how he saw Bond.
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Translators are the shadow heroes of literature, the often forgotten instruments that make it possible for different cultures to talk to one another, who have enabled us to understand that we all, from every part of the world, live in one world.
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Here is how I work: when I think that a film needs to have a principal theme, I search for a melody. I have a very strange melodic gift: melodies come to me effortlessly. So I write melodies-thirty, forty, fifty-then I cast them off until I have just two or three. If only one is needed, I go see the director and ask him to decide. That happened one time with Jacques Demy for the duo of the twins [in Les demoiselles de Rochefort]: I went to his house in Noirmoutier to play 35 possible themes for him.
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I like directors who come ready to challenge you to ask the right questions about your character, and I know that directors appreciate that in actors as well.
