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I'm lucky because my repertoire is so specific, and theaters are interested in me singing my repertoire because it is not done so much. I'm pretty well settled in my repertoire. I like what I sing. My voice is high, and there is not much in baroque opera for higher tenor.
Juan Diego Florez -
I don't push my voice; I try to keep a good technique, a natural way of singing, to sing from the breath, which is the main thing.
Juan Diego Florez
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I have always been pretty flexible. I could always jump and do all kinds of dangerous movements. In opera, I like to do it because it's fun, as long as it fits the role.
Juan Diego Florez -
I wouldn't be me if my repertoire wasn't bel canto.
Juan Diego Florez -
I don't like to fill up my schedule. It's easy to do, but then that year arrives, and you find that you have no time, so you are desperately trying to cancel something. I have to think of my family.
Juan Diego Florez -
I don't think I am even the best I can be. I like to listen to other singers and learn from them, but I'm always working on myself, trying to improve, trying to be very tough with myself.
Juan Diego Florez -
With El Sistema, you can create orchestras everywhere; then they can decide whether they want to become professional musicians. The aim is not only to create musicians, but to create people.
Juan Diego Florez -
I think spontaneous and free reactions are the most natural.
Juan Diego Florez
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Even if change in a voice is light, and people maybe don't notice it, that slight change is, for singers, a bit of an earthquake.
Juan Diego Florez -
I created a foundation for poor children called Sinfonia por el Peru, where they play in orchestras and choirs, learn values and get away from the bad life, become better citizens in every aspect.
Juan Diego Florez