Wayne White Quotes
As far as I'm concerned, there is no line between high art and pop art, and there should be no line.
Quotes to Explore
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Middle school was probably my hardest time. I was trying to fit in for so long, until about junior year of high school when I realized that trying to fit into this one image of perfection was never going to make me happy.
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Right when 'High School Musical' was taking off, one of my little cousins called and was really excited to tell me there was a huge 'I Hate Zac Efron' club at her school. I'm sure they're doing great. More power to them.
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I had parents in the business and they made sure that the art was the biggest concern.
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Students graduating with high debt encounter difficulties in qualifying for home and automobile loans.
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Besides black art, there is only automation and mechanization.
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Helping set the day's agenda and deciding what we used and editing it, that was a journalistic high point. I liked reporting as well. Just doing the news - the live performance - wasn't important. Working on the desk was.
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We'd be doing parkour on my high school roof; we'd get in trouble. But I was never a reckless kid.
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Art never harms itself by keeping aloof from the social problems of the day: rather, by so doing, it more completely realises for us that which we desire.
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Some painters transform the sun into a yellow spot, others transform a yellow spot into the sun.
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My wife is a painter, musician, and fiber artist. We married in 1993, and as she worked, I found that my reading about art was helping me understand what she was doing, just as seeing her work gave me a language with which to speak of art.
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To keep art stimulating, it's important to open it up to new horizons, which includes showing it in unexpected contexts.
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I'm kind of obsessed with wedges, but I go to a regular high school, so I'm not going to be wearing Vera Wang there.
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At no point do I wish to be in conflict with any man or masculine thought. It doesn't enter my consciousness. Art is anonymous. It's not competitive with men. It's a complementary contribution.
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If I would go up on a high note, Eddie would want a low one. That's how petty the situation had become.
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The Broken Bow group is such a great family and seem like a group of tight-knit people. When I looked for a new label, I wanted to feel I could trust everybody. I wanted motivation to be at an all-time high.
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If you're on the varsity team, the responsibilities are a lot bigger and there's more stress, but you also walk around feeling probably like you can hold your head high.
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Coach Lue always amazed me. I'm like, 'How do you have this much joy coming out of life? You have money, but you don't drink; you don't smoke. All you do is hoop, and you live on a natural high.' But now I know.
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A high-brow is someone who looks at a sausage and thinks of Picasso.
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When I was coming up with the Hal Hartley films, I was cast as a no one. I had no name visibility. I was working at a downtown post-performance-art, avant garde theater company and doing a couple things on television. But I was a total unknown.
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There's something insane about this business - about the cycle of making albums and going on tour to promote them.
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My sister and I were born in San Francisco. When our parents died, we came down here to live with relatives.
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I've never really been a confident person, except from a musical standpoint. I had to push myself early on, but it got easier with each gig.
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I'm gonna be dating her in ten years.
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As far as I'm concerned, there is no line between high art and pop art, and there should be no line.
