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I felt the first soft glow of intoxication that makes the blood warmer and spreads an illusion of adventure over uncertainty.
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... clothes sometimes gave one more of a lift than any philosophic comforting.
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There was only the broad square with the scattered dim moons of the street lamps and with the monumental stone arch which receded into the mist as though it would prop up the melancholy sky and protect beneath itself the faint lonely flame on the tomb of the Unknown Soldier, which looked like the last grave of mankind in the midst of night and loneliness.
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We were all at once terribly alone; and alone we must see it through.
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We were eighteen and had begun to love life and the world; and we had to shoot it to pieces.
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The days, the weeks, the years out here shall come back again, and our dead comrades shall then stand up again and march with us, our heads shall be clear, we shall have a purpose, and so we shall march, our dead comrades beside us, the years at the Front behind us:—against whom, against whom?
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Am I jealous? he thought, astonished. Jealous of the chance object to which she has attached herself? Jealous of something that does not concern me? One can be jealous of a love that has turned away, but not of that to which it has turned.
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Mirrors are there when we are and yet they never give anything back to us but our own image. Never, never shall we know what they are when they are alone or what is behind them.
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We have lost all sense of other considerations, because they are artificial. Only the facts are real and important to us. And good boots are hard to come by." - All Quiet On The Western Front, Ch. 2
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It was a melancholy secret that reality can arouse desires but never satisfy them.
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But now, for the first time, I see you are a man like me. I thought of your hand-grenades, of your bayonet, of your rifle; now I see your wife and your face and our fellowship. Forgive me, comrade. We always see it too late. Why do they never tell us that you are poor devils like us, that your mothers are just as anxious as ours, and that we have the same fear of death, and the same dying and the same agony - forgive me, comrade; how could you be my enemy?
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Modesty and conscientiousness receive their reward only in novels. In life they are exploited and then shoved aside.
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In any case, the bayonet isn't as important as it used to be. It's more usual now to go into the attack with hand-grenades and your entrenching tool. The sharpened spade is a lighter and more versatile weapon - not only can you get a man under the chin, but more to the point, you can strike a blow with a lot more force behind it. That's especially true if you can bring it down diagonally between the neck and the shoulder, because then you can split down as far as the chest. When you put a bayonet in, it can stick, and you have to give the other man a hefty kick in the guts to get it out.
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With blinded eyes I stared at the sky, this grey, endless sky of a crazy god, who had made life and death for his amusement.
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The idea of authority, which they represented, was associated in our minds with a greater insight and a more humane wisdom.
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Life is a disease, brother, and death begins already at birth. Every breath, every heartbeat, is a moment of dying - a little shove toward the end.
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The things men did or felt they had to do.
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I want to think and at the same time that's the last thing in the world I want to do.
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We march up, moody or good-tempered soldiers - we reach the zone where the front begins and become on the instant human animals.
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We are not youth any longer. We don’t want to take the world by storm. We are fleeing. We fly from ourselves. From our life. We were eighteen and had begun to love life and the world; and we had to shoot it to pieces.
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This book is to be neither an accusation nor a confession, and least of all an adventure, for death is not an adventure to those who stand face to face with it. It will try simply to tell of a generation of men who, even though they may have escaped shells, were destroyed by the war.
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Through the years our business has been killing;-it was our first calling in life. Our knowledge of lif eis limited to death.
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For us lads of eighteen they ought to have been mediators and guides to the world of maturity, the world of work, of duty, of culture, of progress -- to the future.
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The music enchanted the air. It was like the south wind, like a warm night, like swelling sails beneath the stars, completely and utterly unreal... It made everything spacious and colourful, the dark stream of life seemed pulsing in it; there were no burdens any more, no limits; there existed only glory and melody and love, so that one simply could not realize that, at the same time as this music was, outside there ruled poverty and torment and despair.