Natsuki Takaya Quotes
Quotes to Explore
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I am tone deaf.
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You can't be a first-world economy in the 21st century if you haven't laid the groundwork to seize the opportunities.
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CNN is getting smarter, and you can feel it in the stories, you can feel it in the depth with which they're covered, the kinds of people in terms of guests who are brought on air, the way in which issues are discussed.
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I don't know what I want to do. There are people who want me to do things. There's a possible book. There are lots of things to consider. I just have to figure out what I want to do. I'm not one to sit around and do nothing.
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Part of America's greatness is its willingness to care for those who are truly in need. But those who defraud the system take money and resources away not only from American taxpayers but also from those who truly need help.
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I can't take the theater side out of myself.
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We don't need bigger government. We need to shrink the size of government.
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I always tell people I went to the Harvard School of Comedy in front of America.
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Love is the ability and willingness to allow those that you care for to be what they choose for themselves without any insistence that they satisfy you.
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When I went to the 'Rush' audition, I was blown away by the script. I thought it was fantastic.
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A lot of times, we look at jazz in eras. How can we not keep those eras separate and think of the language as one complete continuum? It's all interrelated, and it's all evolutionary.
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Whatever its flaws, the United Nations is still the only institution that brings together all the countries of the world. And it is the best forum for the United States to spur countries to act - and to hold them accountable when they don't.
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To rise from error to truth is rare and beautiful.
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I've always believed that if you are precise in your thoughts, it's not the lines you say that are important - it's what exists between the lines. What I'm compelled by most is that transparency of thought, what is left unspoken.
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To expect for me to be one-way every time you see me is to expect me to be a one-dimensional man, which I've never been. I've always applauded my efforts to be diverse and multi-faceted.
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The left-brainer and the economist in me says watch what people do, not what they say.
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I never envisioned when I was reading that comic as a 17-year-old that I would have the opportunity to actually play the character.
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You'd never look at a Rembrandt and say, 'That's just wood and canvas and paint - how much?!' It's all about how many people want it. It works on a pair of jeans as well - they're just material and stitching, and as soon as you walk out of the shop, they're worth nothing.
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Power and violence are opposites; where the one rules absolutely, the other is absent. Violence appears where power is in jeopardy, but left to its own course it ends in power's disappearance.
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When I look at pictures when I was younger, I do the quintessential cringe.
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The success of the movie industry comes from the story. And the story comes from somebody putting something down on paper.
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Forgiveness, she was thinking, was in some terrible, overeager way, a lack of curiosity. It was a big, powerful hose that washed everything away. She had, in effect, turned the hose on herself. "Of course I forgive you." As eager to reconcile as she has been in the schoolyard and in her first marriage too. Only to think that now she should not have been so hasty. Forgiveness was the premature end to the story. She had skipped to the last page instead of reading the book through.
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I don't know why Sinclair Lewis fell in love with me. He didn't get even the slightest response from me. But his letters were lovely. And the poems he wrote me were lovely. I used some of them in my book.
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This concludes my wonderful story.
